毛片A group of conscripts are called up into the infantry during WWII. At first they appear a hopeless bunch but their sergeant and Lieutenant have faith in them and mould them into a good team. When they go into action in N. Africa they realise what it's all about.- Written by Steve Crook
回复 :饰演过许多小人物的许志安这次饰演一名生长在澳门的平凡警察阿泰，从小的愿望是拥有一个温暖的家，与爱人小愉（梁咏琪饰）结婚、生子，过着快乐幸福的生活。他经常带着一枚戒指要向小愉求婚，但每次都失败。小愉是赌场里发牌的小妹，聪明世故、口齿伶俐、喜欢幻想，虽然也深爱着阿泰，但她一心想摆脱眼前平凡的生活，离开澳门这个地方，所以迟迟不肯答应阿泰的求婚。由于阿泰在一次的外围拘捕行动中碰到好友仔仔，为了保住仔仔的性命，阿泰必须将二百多万元交给黑帮老大权哥手上，谁知小愉在替阿泰保管时，却不小心失掉这笔巨款。两人该如何逃过警方的追查及黑道的追杀呢？剧情：泰（许志安饰）是生长于澳门的一个平凡警员，一直希望拥有自己的家，四百多尺的小屋、前后花园，与心爱的小愉结婚，生子，过其简单而平凡的生活。泰为了达成愿望，一直努力赚钱，等待小愉答应跟他结婚。小愉（梁咏琪饰），一个赌场jack妹，个性老练世故，口齿伶俐，爱幻想。幻想令自己的感觉也变得模糊！她是喜欢泰的，也知泰是个守承诺的人，一定会与她结婚，但平凡的泰岂可满足她呢？她希望可以离开这个地方，不愿做死一世jack妹。由于泰在一次外围拘捕行动中，碰到儿时好友仔仔，并为他将一笔外围数二百多万交回给黑帮老大权哥手上，否则仔仔性情难保。但当小愉为泰入数之际，却意外地失掉巨款，幸得好友肥牛（梁汉民饰演）一直帮忙。一方面要面对警方的猜疑，另一方面又要面对黑帮的追捕，最后两人能否共同渡过？幕后：影片耗资700多万港币完成，由劳剑华导演（《阳光警察》《少年十五十六时》），马楚成任监制，3位青春偶像许志安、梁咏琪和梁汉文担纲主演，卖点十足。许志安在拍摄期间因动作戏伤了脚掌，仍旧带伤上阵，让工作人员大感佩服。许志安和梁咏琪虽说已是四度合作，但因前几次二人均无对手戏，所以直到拍摄此片他们才算真正熟络起来，演起激情戏也多了几分默契。监制马楚成曾捧红过不少香港艺人，如《东京攻略》的郑伊健及《夏曰的么么茶》的郑秀文就是最好的例子，且《夏曰的么么茶》票房已超过2千万大关。这次分别由双郑的“另一半”许志安和梁咏琪合作，观众可以看看二人是否擦出了更新的火花？
回复 :《极地熊踪》之旅从侧面讲述迪士尼自然的《北极熊》背后的公作人员在距离北极300英里的地方所面临的巨大的挑战。团队在那里创建了革命性的北极营地，他们穿越了几乎无法穿越的雪堆和脆弱的海冰，拍摄到了前所未有的镜头，揭示了生物的适应性行为，这些都让这个经验丰富的电影制作团队都感到惊讶。
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
