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小草
小草鱼苗
小草
回复 :艾迪（梅丽莎·里奥 Melissa Leo 饰）是一名单身母亲，在不久之前，背负了巨额赌债的丈夫席卷了家中全部的积蓄自此消失不见，留下了两个年幼的孩子不管不顾，而面对这一窘境，艾迪也只能咬紧牙关默默承担。为了能让孩子们健康顺利的成长，艾迪不得不参与了当地的非法犯罪活动，尽管充满了罪恶和危险，但面对高额的回报，艾迪无法拒绝。某一天，一名与艾迪境遇相似的女人利拉（米丝蒂·阿哈姆 Misty Upham 饰）找到了艾迪，恳求她带她一同参与行动，拗不过利拉的执着，艾迪答应了。就这样，两个身形单薄的女人上路了，她们此次的任务是穿越冰冻的圣罗伦斯河，除了警察外，恶劣的自然环境是另一大威胁。她们能否顺利的完成任务，而之后的生活又该怎样继续下去呢？
回复 :七月十五，鬼门大开，孤魂野鬼游荡人间。茅山道长九叔（林正英 饰）精心准备鬼月所需祭品，而顽皮的二徒弟文才却跑去看鬼戏。文才懵懂，不只身旁已聚满群鬼，更有貌美如画的女鬼小丽（吴家丽 饰）将其相中。九叔命大徒弟秋生（钱小豪 饰）前去营救，秋生则为小丽美色所惑。最终师徒惊动群鬼，使得它们逃脱鬼差管制，徘徊人世。为避免群鬼危害世人，九叔请来师兄弟共同商议对策。大师兄提出先天八卦阵，而由文才和秋生两个惹祸头负责将群鬼吸引出来……
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
