剧情简介
小雪家对面一扇从未打开窗户的房间里住着一位孤独的老人。一个雨天，私人小雪发现了坐在雨中神情悲伤的老人。善解人意的她陪着老人静坐在风雨中。第二天，私人小雪病倒了。当她睁开眼睛时，发现老人守在自己的身边。孤独的一老一少彼此相怜关爱，并定下了约定——小雪弹奏钢琴固定的几个旋律和老人窗帘的开合为他们传递着心情的信号。在小雪的感召下，小雪的父母和老人的儿子意识到了仅有金钱和物质是远远不够的，只有亲情的呵护才最重要。老人的窗户终于打开了，从窗户里传出阵阵幸福的欢笑声。
4480yy私人影院高清
小雪家对面一扇从未打开窗户的房间里住着一位孤独的老人。一个雨天，私人小雪发现了坐在雨中神情悲伤的老人。善解人意的她陪着老人静坐在风雨中。第二天，私人小雪病倒了。当她睁开眼睛时，发现老人守在自己的身边。孤独的一老一少彼此相怜关爱，并定下了约定——小雪弹奏钢琴固定的几个旋律和老人窗帘的开合为他们传递着心情的信号。在小雪的感召下，小雪的父母和老人的儿子意识到了仅有金钱和物质是远远不够的，只有亲情的呵护才最重要。老人的窗户终于打开了，从窗户里传出阵阵幸福的欢笑声。
蔡淳佳
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
娃娃脸
回复 :故事发生在一间名为咏花寨的妓寨之中，其中坐镇着美艳风流的花艳红（利智 饰）、芙蓉出水的陆千千（关之琳 饰）、清纯可人的玉叶和热情奔放的金枝。艳光四射的女子们让咏花寨成为了所有男人们垂涎三尺的桃源乡，每一个华灯初上的夜晚，都是这里最为热闹之时。政府颁布了禁娼令，并派遣了禁娼专员程立邦（郑少秋 饰）前往咏花寨进行暗访，和程立邦一起的，还有他的未婚妻莉莉（刘嘉玲 饰）。哪知道，即便刚正不阿如程立邦，却也无法抵挡花艳红等人的诱惑，发现自己的未婚夫心猿意马，焦急的莉莉只得转而向警察厅长朱爷（秦沛 饰）求助。
回复 :After marriage, a woman struggles to be the submissive wife that her husband and his family expect her to be. The story follows her journey, as she changes herself and, even more so, changes the household.