一个变态杀人心理医生，为摆脱其杀人罪名，便一再催眠他的病患 ''波恩''，让波恩误以为自己就是那一连串灭门血案的杀人狂，并且还通知警察逮捕他。波恩，是夜行族的一员，本以为在他找到夜行族的栖息国度之后，便可快乐的过属于自己的生活，没想到却一再受到变态杀人医生的阻挠，甚至还以将杀害波恩挚爱的女友来胁迫波恩就范…。在这些 〃自然人类〃（变态杀人医生 &.欲毁灭夜行族的地方警察）与 〃夜行族群〃的打斗过程同时，波恩也发现了自己与生俱来的重要使命….。本片内容极具神秘色彩，将带您进入不一样的想像国度。
回复 :一幢相传多年鬼楼，频频出现闹鬼事件，有人发起一个“鬼楼探秘”的征集令，网络女作家夏立冬（林心如 饰）也加入了此次行动，和探秘发起人孙大圣（苗皓钧 饰）等人一起探寻鬼楼之鬼的真面目。一夜过去，一行人的经历虽然惊奇，但依然没有见到鬼，于是相约再来探寻。夏立冬的情人、有妇之夫梁浩男（陈司翰 饰）在得知夏立冬参加鬼楼行动之后，意外地表示支持，并将夏立冬送到了鬼楼。因为迟于约定时间赶到，不明情况的夏立冬只身进入了鬼楼。恐怖的景象接二连三地发生，夏立冬以为自己所经历的就是鬼楼的真相。当她准备将这一切公之于众时，却不知自己已被卷入一场巨大的阴谋漩涡，最为恐怖的鬼楼之鬼也远非如她所见……
回复 :Jagged Mind is about a woman plagued by blackouts and strange visions that lead her to discover she’s stuck in a series of time loops, possibly related to her mysterious new girlfriend.
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
