剧情简介
晚清时期，资源站英军入侵广州。而此时，资源站三元里的一处古刹，竟惊现僵尸袭人，闹得全城人心惶惶。接连不断的僵尸袭击事件，也影响到了鸦片的入境，令英军首领罗伯茨大怒。为绝后患，罗伯茨带领英军歼灭僵尸，然而在前往古刹的路上，却被僵尸群重创，英军死伤过半。罗伯茨便命令广州巡抚王平之带领中国军队去剿灭僵尸。胆小怕事的王平之无奈之下只能请回被革职的巡检袁士诚。为保证广州城百姓的安全，袁士诚带领巫医一同前往古刹，却发现了另一个秘密...
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晚清时期，资源站英军入侵广州。而此时，资源站三元里的一处古刹，竟惊现僵尸袭人，闹得全城人心惶惶。接连不断的僵尸袭击事件，也影响到了鸦片的入境，令英军首领罗伯茨大怒。为绝后患，罗伯茨带领英军歼灭僵尸，然而在前往古刹的路上，却被僵尸群重创，英军死伤过半。罗伯茨便命令广州巡抚王平之带领中国军队去剿灭僵尸。胆小怕事的王平之无奈之下只能请回被革职的巡检袁士诚。为保证广州城百姓的安全，袁士诚带领巫医一同前往古刹，却发现了另一个秘密...
回复 :纪录片聚焦中小卖家的烟火人情味。在不确定的时代，展现国民个人灵活就业创新样本、生存智慧、韧性和平凡诗意，让大家看到同行者抱团取暖，体现买卖情义，坚定自己的乐观和勇气，激发共鸣、抚慰情绪。
回复 :Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
回复 :山城圭吾（菅田将晖 饰）一直梦想着能够成为漫画家，创作出脍炙人口的优秀作品。虽然圭吾的画功扎实编剧一流，但因为他本身是老好人的性格，所以一直无法创作出真实有冲击力的反派形象，因此，圭吾的事业总是停滞不前，知道现在依然只是一介名不见经传的漫画助手。一次偶然中，圭吾成为了一场凶杀案的目击者。这特殊的经历改变了圭吾的性格，他决定以案件的犯人为原型，创作名为《34》的原创漫画。没想到，这部漫画一下子就火了，读者们纷纷被漫画中描绘的可怕犯人的形象所折服。但好景不长，没过多久，社会上就出现了以漫画内容为蓝本进行犯罪的模仿犯。
