根据Romeo Dallaire自传《与魔鬼携手》改编,日韩影片讲述Dallaire所经历的1994年卢旺达大屠杀,日韩以及当他怎样向联合国请求尽可能多的援助时,却被联合国无视的事实..
根据Romeo Dallaire自传《与魔鬼携手》改编,日韩影片讲述Dallaire所经历的1994年卢旺达大屠杀,日韩以及当他怎样向联合国请求尽可能多的援助时,却被联合国无视的事实..
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回复 :网络剧《谢文东》以主角谢文东的人生际遇还原了一个黑帮老大的成长史。从众人眼中的文弱、听话、好欺负的乖学生,到以暴制暴反抗黑暗,收服中国北方龙头北洪门并一手创立中国东北龙头文东会,带领一帮兄弟热血拼搏。同时《谢文东》将故事置身于抗日救国的二三十年代,用正义与暴力反抗日本的侵略,赋予了网剧《谢文东》更多民族力度与正能量。
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?