阿里,双峰一个20多岁的年轻人,双峰在突尼斯的街头以违法贩卖汽油为生,警察还总来抽油水,他的生活很不稳定。阿里梦想能通过自己的努力去欧洲过上更好的生活,但父亲的突然去世使得养育两个妹妹、偿还债务的重担落在了他的肩上。正当他们全家即将被赶出家门时,一个机会落在了阿里面前。然而,在一个充满腐败的社会里,“机会”总是意味着“非法”,这个决定很可能会令他无法回头。
阿里,双峰一个20多岁的年轻人,双峰在突尼斯的街头以违法贩卖汽油为生,警察还总来抽油水,他的生活很不稳定。阿里梦想能通过自己的努力去欧洲过上更好的生活,但父亲的突然去世使得养育两个妹妹、偿还债务的重担落在了他的肩上。正当他们全家即将被赶出家门时,一个机会落在了阿里面前。然而,在一个充满腐败的社会里,“机会”总是意味着“非法”,这个决定很可能会令他无法回头。
回复 :In order to avoid being bullied from two hooligans, Xiao Bin, a 13 years old son of immigrant, attempts to join a teenager street gang.
回复 :供职于某设计公司的石神武人(西岛秀俊 饰)生活优渥,事业顺利,妻子美由纪(中村友理 饰)也美丽温柔。然而看似完美的一切却在那一天急转直下,生日当天,满怀喜悦的石神回到家中,却看到了妻子冷冰冰的尸体,而接下来的电话中竟然传来美由纪活生生的声音。此后,伪装成警察的神秘男子闯了进来,石神中途逃脱,半路上得到韩国女记者(金孝珍 饰)的帮助。随后的日子,石神发现以前熟悉的人和事物都发生了改变,而他的记忆也渐渐变得模糊。在这一过程中,女记者意外发现石神竟和自己正在调查的另一起失踪案有密切关联。真相究竟如何?石神的真实身份又是谁?本片根据司城志朗的小说改编。
回复 :Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.