斗鸡，传东惨烈的博弈游戏，传东用生命筑构起光辉与荣耀，也让生命走向黑暗和毁灭，如同人在江湖，往往身不由己。程健军和张力扬从小一起长大，念完初中三后便无心向学，跟随斗鸡场的场主洪爷，做其小弟。斗技场势力庞大，两人在洪爷身边学到不少斗鸡的真功夫，也成为洪爷最得力的助手。程健军性格阴沉、冲动，为人冷酷无情，是洪爷的前锋打手；张力扬个性冷静有智谋，是洪爷所依赖的军师。两人跟随洪爷10年，程健军渐起取代洪爷的念头。而洪爷早就把张力扬视为接班人。程健军知道洪爷的心意，因此先发制人强行夺权，暗中部署了人马，在洪爷生日宴席当晚，与另一个对手梁王结盟逼迫洪爷让位，一连串阴谋慢慢开始浮出水面…
李宁
回复 :意形门掌门人金志伟与八卦掌门人雷成，为争风水宝地结下宿怨，双方打擂比武中，金志伟败北出走，其妻林艳芳立誓重振意形门声威。 钱府大少爷钱嘉乐，从小痴迷武功，一心想投靠名师习武。这天巧遇意形门三小姐嘉雯被人欺侮，他出手相救，使出绝招“有钱能使鬼推磨”，救下美女。艳芳将嘉乐视作恩人，欲将大女儿许配给他，谁知大女儿心另有所属。 嘉乐投靠意形门，招收徒弟时，再次使用“有钱能使鬼推磨”绝招却不灵，丢尽脸面。嘉乐决定苦练真功夫，得到一位蒙面黑衣人的暗中传教，武功突飞猛进，令人刮目相看，赢得小女儿嘉雯的芳心。艳芳终于明白了女儿们各有心事，她决定设下擂台比武招亲，扬言只要能打败雷成者皆可与其女儿成婚，并能成为新任掌门人。 比武中，嘉乐失手坠落擂台，雷成登门挑衅；神秘黑衣人终于显露真身。
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
彭芳
回复 :古有织女下凡洗澡偶遇牛郎，今有美女灶神人间裸泡温泉却无人问津。灶神郭婉蝶为寻人间真爱，下凡巡逻时碰上人间的厨神比赛，与前来参赛、爱好直播的美男子姜聪不打不相识，这段人仙殊途的爱情又该以怎样的方式收场？
