讲述吉米原在警局负责炸弹拆穿的工作。因为工作过于危险，国产他辞去工作改为任教于警察学校。然而没过多久接任他工作的同事却因炸弹爆炸而身亡。他怀疑这个炸弹乃是他熟悉的人所安装。当他深入调查之后发现，国产他过去在爱尔兰共和军的老师兼伙伴，当年因为他的告密而入狱，现在要来向他报仇了……影片由汤米·李·琼斯（《亡命天涯》）、福里斯特·惠特克（《末代独裁》）等诸多好莱坞明星助阵。《零点爆破》片在处理爆破场面有两场最为吸引，爆车、爆船，也可谓达到大爆炸的感官刺激。确实，一班幕后精英确实花了不少心思设计，这点从影片不断营造气氛方面可以肯定。剧中刺激过瘾的地方，相信是爆炸前一刻的情节处理，插电话接驳线、开煤气炉等生活小节也在企图制造一种危机感，好让观众透不过气。在人物性格与铺排正邪斗法方面，《零点爆破》也下了不少工夫，务求故事说来合情合理，且讲述了一段不光彩的往事，令剧情走向多元化，对于一部刺激动作电影来说，尽管用上公式化的商业元素，但也强调了动作戏的基本要求。
回复 :表面上看来，乔伊（保罗·沃克 Paul Walker 饰）过着人人羡慕的美满生活，温馨的房子，漂亮的妻子，听话懂事的儿子，乔伊似乎对这一切的一切都信手拈来。但在背地里，乔伊有着自己的苦恼，身为一个黑道中人，他至今仍然做着替人跑腿销赃的“小事”，上位之日遥遥无期。终于有一 天，机会来了，老大带领乔伊参加了一次重要的毒品交易，没想到遭人暗算，老大被射身亡。一如既往的，乔伊被分配了销毁枪支的小任务，心灰意冷的他随手将枪放入了家中的地下室里。没想到，自己随便的举动被儿子和他的好友奥格雷（卡梅隆·布莱特 Cameron Bright 饰）尽收眼底，不幸的是，奥格雷是一个终日受家庭暴力所苦的孩子，一念之差下，奥格雷偷了枪，将虐待他的继父打死。事已至此，一切都变得复杂起来，原来，奥格雷的继父是某俄罗斯黑帮老大的侄子，一时间，黑道白道和乔伊都在寻找着奥格雷的踪迹，乔伊必须在18小时内找到奥格雷和他的枪，否则后果不堪设想。
回复 :台灣喜劇泰斗國寶“豬哥亮”第一部暑假強檔奇幻喜劇！顛覆以往台灣喜劇片的故事走向豬式風格混搭全新陣容2016年暑假新滋味“大顯神威”
回复 :On 6 May 1945, soldiers of the 88th US Infantry Division occupied the Himmlers’ family home in Gmund on Lake Tegernsee where they discovered hundreds of private letters, documents, journals and photographs. The film makes use of these materials and copious archive footage to sketch the biography of SS commander Heinrich Himmler who committed suicide at the end of May 1945 by taking a cyanide capsule. How did this nationalistic lower-middle-class man become Hitler’s henchman responsible for developing and executing the strategies that led to the murder of millions of Jews, homosexuals, Communists and Romany people? Where did his ideology originate? How did he see himself and how was he perceived in private by his wife Margarete, his daughter Gudrun and his mistress Hedwig? How could the man who often referred to so-called German virtues such as order, decency and goodness also write home in the midst of the war and Holocaust: ‘I am well in spite of my heavy workload’? What was it that caused his daughter to say after a visit to Dachau concentration camp: ‘It was lovely …’ A film about the pretensions of a mass murderer and the repression of any sense of guilt.Berlinale 2014
