1940年，世界丘吉尔设立了一个新的情报组织“特别行动局”，世界简称SOE。其中一个分部负责监督法国的行动。1944年，为了确保盟军登陆成功，这个分部付出了沉重的代价。Louise（苏菲·玛索 Sophie Marceau 饰）刚刚失去丈夫，被哥哥带回法国参加SOE，接受的任务是救出落入敌手的一位英国地质学家——他手中拥有的是德军布置在诺曼底的防御工事图，几乎是盟军登陆的全部关键。和Louise共同作战的还有其他几位姑娘。妓女Jeanne（茱莉·德帕迪约 Julie Depardieu 饰）因为杀害自己的客人而被判死刑，SOE承诺只要她完成任务即可获得豁免。随后加入的Suzy、Gaëlle，都是有着一段不为人知的伤心往事。当她们为了盟军而贡献自己的聪明才智，任务能否成功，她们又是否能全身而退？
回复 :刘石和恋人在山坡上嬉戏追逐着，那一刻他们无比的幸福，但这一切只能是刘石大脑中残存的美好回忆，刘石在山崖上呼喊着恋人吉海岑的名字，这里有太多他们美好的回忆。他用草根编了一个草戒指，将它套在自己左手的无名指上，他抬起左手抚摸这个城市。 故事要从刘石的恋人吉海岑感染艾滋病说起，某日郊游，吉海岑坐在停靠在路边的自行车上，被一个叫穆幽的女孩驶来的电动车撞倒，吉海岑手上出血，放眼望去，不远处的穆幽伤的更为严重。在她用出血的手为穆幽擦拭腿上的鲜血时，吉海岑并不知道穆幽是一个艾滋病人。 吉海岑感染后，遭受了同事无情的歧视，心如死灰的吉海岑在烩面馆悄悄地离开了恋人刘石。她一个人边哭边笑的走在街道上。那一刻她是释然的，至少恋人可以健康的生活就够了。 吉海岑找到穆幽，穆幽颇为紧张，以为将遭到严厉的责难，但吉海岑提出希望穆幽能和自己一起帮助更多感染艾滋，对生活绝望的艾滋病人。 吉海岑把艾滋病人聚在一起，共同分享治疗的经验，共同帮助彼此面临的困难和问题。在这个过程中大家都重拾对于生活的信心和勇气。
王子
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :Noah and Katrina return to the island paradise of Tobago, where they fell in love three years ago. However, when Noah's marriage proposal is rejected, paradise quickly becomes a heartbreaking prison for them both
