剧情简介
卡车司机布鲁斯特从他失踪的哥哥身上接手了一项工作，霆少那就是把一车的棺材送到一个办葬礼的人家里。在路上他让一对同性恋青龙城凯瑞和沃格搭便车，霆少不过这对情侣此时正在闹变扭，所以布鲁斯特开车开得特别小心。可是在汽车导航仪的指引下，布鲁斯特的车开到了一个荒郊野岭，并且车也抛锚了，他们三个被困住了。夜幕开始降临，车上的棺材里似乎有吸血鬼开始嗜血暴动，他们三个必须躲在车里并且要在天亮之前想办法活下来……
霆少，夫人假死后偷生三个娃
卡车司机布鲁斯特从他失踪的哥哥身上接手了一项工作，霆少那就是把一车的棺材送到一个办葬礼的人家里。在路上他让一对同性恋青龙城凯瑞和沃格搭便车，霆少不过这对情侣此时正在闹变扭，所以布鲁斯特开车开得特别小心。可是在汽车导航仪的指引下，布鲁斯特的车开到了一个荒郊野岭，并且车也抛锚了，他们三个被困住了。夜幕开始降临，车上的棺材里似乎有吸血鬼开始嗜血暴动，他们三个必须躲在车里并且要在天亮之前想办法活下来……
黄贯中
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
回复 :9岁的Ted和爸爸在公路边经营着一间小旅馆，缺少同龄玩伴的他倍感寂寞，整日在附近游荡，心中计划着着离开这个小地方的计划……
回复 :蒋中天（陈坤 饰）正在经历人生的低潮。面对上司兼同窗好友洪源（黄觉 饰），他显得极度不自信，对对方也不信任。总是认为他跟自己青梅竹马的女友文馨（杨幂 饰）有染。突然冒出的中学同学李作文更让他昏了头，李作文不学无术，混到今天成了个出租车司机，还总是在中天面前出现，中天一直记得李作文当年企图强奸文馨未遂，心里一直有着阴影。他对自己的不信任映照到文馨身上，开始疑神疑鬼，终于文馨忍受不了，留下一通信息后出走。蒋中天埋头粉刷墙壁，日日装修。在幻觉之下，他杀了洪源，但洪源的魂魄依旧纠缠着他。他开始怀疑警方派人来监视他，每一个邻居每一个上门的过客，他都认为是有目的的。他一边追寻着文馨的下落，一边接近事实的真相，然而当真相的门打开时，他发现一切早已是不能挽回的大错。
