受过特警训练的警察陈家驹(成龙)为人正直办案拼命,日韩时常将女友(张曼玉)忽略。某次围剿行动中陈家驹拘捕了大毒枭朱滔,日韩但因证人(朱滔的秘书)莎莲娜(林青霞)的突然失踪,未能将其绳之于法,陈家驹因此受降职处分。事后含恨在心的朱滔为了报复陈家驹,设计将其诱至囚禁莎莲娜的别墅,并派手下杀死一名警察嫁祸其身,令陈家驹在警方的通辑令下只能四处流亡。而侥幸逃脱的莎莲娜明白到朱滔为人不择手段的本质,为求自保,冒险潜入朱滔办公室偷得证据,却被其手下追杀至商场,陈家驹及时赶到,与朱滔手下展开激战。
受过特警训练的警察陈家驹(成龙)为人正直办案拼命,日韩时常将女友(张曼玉)忽略。某次围剿行动中陈家驹拘捕了大毒枭朱滔,日韩但因证人(朱滔的秘书)莎莲娜(林青霞)的突然失踪,未能将其绳之于法,陈家驹因此受降职处分。事后含恨在心的朱滔为了报复陈家驹,设计将其诱至囚禁莎莲娜的别墅,并派手下杀死一名警察嫁祸其身,令陈家驹在警方的通辑令下只能四处流亡。而侥幸逃脱的莎莲娜明白到朱滔为人不择手段的本质,为求自保,冒险潜入朱滔办公室偷得证据,却被其手下追杀至商场,陈家驹及时赶到,与朱滔手下展开激战。
回复 :越西鸿(任世官 饰)手下有十三名忠心耿耿的义子,江湖人称“冷血十三鹰”,武功高强的十三人是越西鸿的左膀右臂,专门助他在江湖中排除异己。某日,越西鸿命令十三鹰刺杀星宿教主老魔(钟发 饰),夺回他所拥有的“七星利血宝典”,在激战之中,银鹰戚英明(刘子蔚 饰)不幸受伤坠下山崖。幸运的是,垂死的戚英明遇见了偶然路过的葵花圣女(杨丽菁 饰),在她的精心照料下,戚英明渐渐恢复了健康,只不过,他向葵花圣女隐瞒了自己的真实身份。回到义父的身边后,十三鹰再次接到了刺杀傲天行的任务,然而,戚英明却对义父的决定心怀不满,因为傲天行素来行端坐正,在江湖上颇具威望。与此同时,戚英明再也不会想到的是,傲天行的女儿,竟然正是自己的救命恩人葵花圣女。
回复 :民间通灵秘术传言,笔仙隐灵,碟仙藏鬼。一群青春男女来到一所将要拆除的学校游玩,出于好奇心,一群人同时玩起了笔仙和碟仙的招魂游戏。但他们没有预料到,同时召唤笔仙与碟仙,两大民间邪灵的同时召唤,会让招魂者走入何等危险的诡异境地!夜半,魂灵复活,怨灵现身,白日的废弃学校变为一座阴宅鬼地,灵异事件接二连三的发生,不可抗拒的死亡事件开始降临,笔仙撞碟仙召唤而来的一位碟笔大仙,对这群青年男女展开了一场殊死大追杀……
回复 :They do not show war in this film, they show people and their dreams and hopes ruined by the war. It is not just another "war film", but it rises to the level of a true Tragedy. Not a propagandist or a sob story. Many critics compare this film to another famous Russian war drama, The Cranes Are Flying. I still think that The House I Live in is better, though, if you've seen The Cranes and liked it, most probably you'll love this one either. Both films were shot in 1957 and treat the war theme from the similar humane perspective. I wouldn't cut a single shot from the film, all of them are just in place. I do not know if it can be found outside Russia, if yes, don't miss it.Many critics pointed out resemblances between Dom, V Kotorom Ya Zhivu (The House I Live In) and the better-known Soviet film The Cranes are Flying. Set in the years prior to and during WWII, the story centers on the various residents of a co-op house. Though the directors never show the war itself, its tragic impact is felt throughout the film. And despite the potential for Soviet propaganda, what sticks in the mind is the universality of the experiences endured by the leading characters. Dom, V Kotorom Ya Zhivu was one of Russian's entries in the 1958 Brussels Film Festival.