大学毕业前夕，精品那兰朵频频收到神秘邮件，精品从而得知远古时期猫王国关于上古神器——猫族圣器的传说。她无法抑制对神器的向往，决定要找到它。 于是，那兰朵邀约其他三位同学——高度近视的画家萧尘、舞者小艾以及摄影师阿劲一同前往一座名为“遗忘天堂”的废弃仓库完成各自的毕业作品。 极具神秘气息的仓库令四位大学艺术生惊喜不已，他们犹如置身天堂。然而，当小艾情不自禁在机床上表演了一段舞蹈，不可思议的惊变便接踵而至。 从昏迷中醒来的萧尘莫名其妙失去记忆，他不仅把小艾当成自己的女神并要将那兰朵和阿劲暴力驱逐出去！小艾
郑梓浩
回复 :BTS「防彈少年團」為韓國男子音樂團體，由JIN、SUGA、J-HOPE、RAP MONSTER、JIMIN、V 及 JUNG KOOK七名成員組成。「時代雜誌」公布「網路最有影響力的人物」，他們更是席捲全球K-pop革命的最前哨軍團。他們的高能量表現，發人深省的歌詞和團體風格，使他們與其他樂團獨樹一格。但這對他們來說並不是瞬間的成功，早期經歷許多艱辛和挫折，重重難以想像的難關，彷彿世上不希望他們成功…但他們從未放棄。《BTS:GLOBAL TAKEOVER》這是屬於他們的故事。 當BTS成為第一個在英國溫布利球場表演的韓國團體，他們便吸引到許多英媒高度關注。英國製片公司EM娛樂，首度以英國媒體角度，詳細紀實報導BTS崛起過程。有別於先前兩部音樂紀錄片，本次將帶著觀眾跟BTS團員們一起經歷每段生命轉折起伏，探索每個成員從生澀到成熟，記錄著每個精彩瞬間，讓A.R.M.Y們透過鏡頭更加瞭解到BTS。 在全球都因疫情陷入難關的時期，BTS發行輕快的〈Dynamite〉後，希望大家都能夠擁有滿滿的活力與幸福。MV公開在YOUTUBE平台後，20分鐘就達到1000萬點閱率、8小時內突破5000萬，創下世界最短的紀錄。而漲勢仍持續進行，在24小時內來到1億110萬點閱率，成功成為史上最短時間破億的MV。而這也是BTS第26支破億MV，讓全球粉絲感受到他們的超強氣勢。 若你已經熱愛他們，請觀賞《BTS:GLOBAL TAKEOVER》，再次重溫他們的每次崛起時刻；若你還不瞭解他們，更請務必觀賞《BTS:GLOBAL TAKEOVER》，才能真正明白屬於他們的傳奇故事。
路达克里斯
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回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
