二十年代的伦敦,电影有两位婚姻生活平淡的家庭主妇为了争取重拾丈夫的爱情,电影她们相约另两名同伴到一个温暖而浪漫的南欧国度享受一个月的解放生活。她们用私房钱租下意大利一栋古堡......
二十年代的伦敦,电影有两位婚姻生活平淡的家庭主妇为了争取重拾丈夫的爱情,电影她们相约另两名同伴到一个温暖而浪漫的南欧国度享受一个月的解放生活。她们用私房钱租下意大利一栋古堡......
回复 :Just two weeks before Roya, a banned Iranian journalist, is set to emigrate from Iran to Denmark at her husband’s insistence, she encounters a quiet young girl. The girl seems lost and doesn’t remember anything. Roya takes her in, unaware that the girl has abandoned her previous life and now has come to replace Roya. A couple of days later, Roya finds out that she will be prohibited from leaving Iran unless she sells out a colleague to the government authorities. Soon after Roya refuses to betray her friend, the young girl steals Roya’s identity and takes over her life with the assistance of Roya’s husband, Babak. As Roya fights to recover her identity, she realises, to her surprise, that no one remembers her anymore and that everybody takes the lost girl to be her. Babak throws Roya out of the house, at which point the authorities decide that Roya is to be exiled to another life as a passive housewife named Hanieh.
回复 :A puppeteer's ability to bring inanimate objects to life attracts the attention of the Nazis during World War II.
回复 :《英湘》是首部在法国戛纳电影节上映的菲律宾电影。它借女主角英湘如身陷地狱的生活,展现了七十年代马尼拉贫民区的真实面貌。电影奇峰突出,批判笔触辛辣,震撼国际影坛。