复仇在我
地区:日韩
  类型:儿童
  时间:2026-05-08 05:06:53
剧情简介

复仇A failed, recluse director, Max, moves from New York City to a small seaside town after his wife's death. He struggles with his parental role over his son. Eddie, meanwhile, is becoming increasingly involved in the not-so-underground culture of drugs, promiscuous sex, and gang violence that lies there.The chasm between them seems to be growing despite Max's best efforts. Max jogs in the mornings and routinely passes a psychic. She spontaenously predicts that one night a serial killer will attack Eddie on the beach.Eddie is sampling various drugs with his friend, Smiley, and having unprotected sex. He ignores the advice of his father as a rule and seems beyond hope of redemption in the eyes of mainstream society. He shows potential for betterment when he prevents the murder of a rival gang member. Max saves Eddie from the serial killer.

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明星主演
陈思慧
赖铭伟
于冠华
最新评论(412+)

李云迪

发表于8分钟前

回复 :The story of Aisha Chaudhary and her family.


严凤英

发表于2分钟前

回复 :一位儿子在父亲去世后坚忍地回到他的村庄,回忆起他们遇到的离奇的事件


程欣

发表于3分钟前

回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.


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深陷于她>生龙活虎小英雄>要钱不要命>水长流>一条狗的使命2>银河写手>醋溜族>摘星之旅粤语>消失的主妇>进击的巨人OAD>