史蒂夫（比利·克鲁德普 Billy Crudup 饰）在跑步方面有着过人的天赋，亚洲许多教练想要将他收入麾下但却纷纷遭到了拒绝，亚洲因为，在心高气傲的史蒂夫心中，只有传奇田径教练比尔（唐纳德·萨瑟兰 Donald Sutherland 饰）有资格成为他的“师傅”，经历了一番波折之后，史蒂夫最终成为了比尔手下的得力战将。经历了比尔别具一格的严格训练，史蒂夫获得了长足的进步。之后，他在校园里结识了名叫马瑞（莫妮卡·波特 Monica Potter 饰）的美丽女孩，两人双双坠入了爱河。一场竞争激烈的比赛中，初出茅庐的史蒂夫获得了第四名的好成绩，就在比尔和马瑞都在为他感到高兴的时候，史蒂夫却宣布要结束自己的职业生涯，因为他脆弱的自尊无法承受没能得到第一名的打击。
谭耀文
回复 :电影讲述过去曾是拳击选手的男主人公李炳九在某一天知道自己患上病，在体育馆新来的登记职员敏智的帮助下重新开始了拳击的故事。
回复 :一名負債累累的男子勉強同意騎車載一名美國遊客遊覽印度各地，兩人的南轅北轍導致口角不斷，卻也意外培養出感情。
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
