得得草将传统文化得得干
地区:越南
  类型:二战
  时间:2025-07-17 03:06:10
剧情简介

这部电影的故事背景让人不禁回忆起《逃出绝命镇》。一位黑人男性(杰森·米切尔饰)在周末的时候,得得因为觉得周围只有白人朋友所以觉得十分紧张。当然,得得这部作品与乔丹·皮尔去年那部符合大众口味的《逃出绝命镇》不同。智利导演塞巴斯蒂安·席尔瓦是一个古怪的人,他的电影如《女仆》、《水晶仙女》、《肮脏的婴儿》都倾向于剑走偏锋,故事开始会有点怪异,而之后则会变得更加怪异。这种风格对于《周末生日游》意味着什么呢?还不知道。但我们非常期待这种不确定性,况且演员阵容中还有克里斯托弗·阿伯特、迦勒兰德里·琼斯,迈克尔·塞拉和安·道德。

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明星主演
谢丽金
翟惠民
李健
最新评论(355+)

葛洛丽娅艾丝特凡

发表于2分钟前

回复 :A young Indian newlywed finds his independent wife troublesome and seeks help and advice from his overbearing mother, a supposedly worldly wise friend, an American seeker of enlightenment and a swami.


张媛

发表于4分钟前

回复 :喜爱开快车的的士司机阿强(林嘉华),生日当天邂逅药房内的化装小姐阿玲(廖安丽),且误会其为妓女而有非分之想,后被收银员四眼妹(吴浣仪)逐出门外,至此,强方知是一场误会,遂向其道歉,玲感强之诚意乃答允他的邀约。二人感情日增之时,玲之表哥占美(文方)自美返港,玲约强赴占美的宴会,令强大出洋相并愤然离去。当晚强因涉嫌非礼一舞小姐而被带返警署,引起玲之误会,不肯再见强。此时,占美介入二人之间,相处之下,玲觉得与占美颇有距离,更使她回味与强一起的乐趣。强以为玲变心而终日茶饭不思,后得四眼妹鼓励而与占美斗车。比赛当日,强在终点前发生意外被送入医院,玲赶往医院时,只见众人伤心痛哭……


巴奈

发表于3分钟前

回复 :After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god (literally), known as "The Daughter of the Sun." The story of Noroit is based on an early 17th-century tragedy by Cyril Tourneur, and, though it is only the third one filmed, the movie is the concluding episode in a four-part series by director Jacques Rivette.“With NOROÎT, Jacques Rivette has joined Federico Fellini as one of the great autobiographical surrealists of the cinema” (John Hughes). Based on the bloody Jacobean play, “The Revenger's Tragedy,” and influenced by samurai films, Fritz Lang, and Samuel Fuller, NOROÎT was shot in a fifteenth-century chateau and a twelfth-century seaside fortress, and stars Geraldine Chaplin as the ghostly Morag, out to avenge the death of her brother who was murdered by a group of women pirates. With its emphasis on ritual, fantasy, and spectacle, “NOROÎT contains the most beautiful images and sounds of any Rivette film” (Jonathan Rosenbaum, Sight & Sound ).


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