14世纪的朝鲜村庄里，自虐之诗素来有“不可杀”的传说。暴君当政，自虐之诗下令收集民间铁器制造兵器，农民们没了生产物资根本无法生存，村里的老铁匠因为擅自把铁器还给农民，自己被官兵投进大牢。老铁匠在牢里绝食，临死前用泥土和打翻的饭菜捏了一个玩偶，悲痛的女儿将玩偶拿回家，做针线活时不小心刺破手指，血滴在上面，玩偶活了起来。小东西吃铁为生，越长越大，铁匠一双儿女知道，这就父亲常讲的“不可杀”。“不可杀”长成一头巨兽，受姐姐驱使，在农民起义中帮助村人对付官兵，成了农民们的致胜法宝，不过迎来和平的村民发现，已经没有足够的铁供应给“不可杀”当食物，它会吃掉他们所有的劳作工具。英雄成了隐患，为了村民们的生存，姐姐流着眼泪挺身而出，献出自己的生命和“不可杀”同归于尽。
回复 :一九三七年八月三十一日淞沪会战中，姚子青奉命率部五百余人守卫宝山县城。日军为扩大登陆地域，对宝山进行了海陆空协同的疯狂攻击。在装备落后，地势不利，没有援军的情况下，智勇双全的姚子青带领全营以寡敌众坚守孤城，灵活运用战术战略，从主动出击攻袭敌军到固守阵地顽强抵御，七日内击退了日军一次又一次的进攻，全营五百余人先后战死沙场。九月七日日军破城，姚子青率残部二十余人在城内展开激烈巷战，最终壮烈殉国。
回复 :鄉下青年「阿肯」，平常在加油站上大夜班，漫漫長夜時常想起幼時無數大人們前往工廠上班，村落還生氣勃勃的樣子。這一夜阿肯迎來許久不見的童年玩伴「長腳」，本應是重逢的喜悅，但卻意外揭開阿肯記憶中不願面對的真相。
关淑怡
回复 :50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
