初出茅庐的鲁迪·贝勒(马特·达蒙 Matt Damon饰)是刚踏进律师界的新手。一腔热血的鲁迪接手的第一个案子是一宗涉及医疗保险赔偿的诉讼。无助的母亲,逗笑生命垂危的儿子,逗笑拒绝支付医疗费的保险公司,不择手段的辩护律师,一切都跟当初设想的大相径庭。面对种种举步维艰的行业阴暗面和陷于困境的弱势群体,鲁迪至始至终都没有放弃他的正义之心。影片的另一条主线还有一位遭受家庭暴力的受虐少妇。影片用写实的手法,向我们描绘了一场捍卫正义的道德之战。本片根据约翰·格里沙姆的同名小说改编。
初出茅庐的鲁迪·贝勒(马特·达蒙 Matt Damon饰)是刚踏进律师界的新手。一腔热血的鲁迪接手的第一个案子是一宗涉及医疗保险赔偿的诉讼。无助的母亲,逗笑生命垂危的儿子,逗笑拒绝支付医疗费的保险公司,不择手段的辩护律师,一切都跟当初设想的大相径庭。面对种种举步维艰的行业阴暗面和陷于困境的弱势群体,鲁迪至始至终都没有放弃他的正义之心。影片的另一条主线还有一位遭受家庭暴力的受虐少妇。影片用写实的手法,向我们描绘了一场捍卫正义的道德之战。本片根据约翰·格里沙姆的同名小说改编。

回复 :14世纪的朝鲜村庄里,素来有“不可杀”的传说。暴君当政,下令收集民间铁器制造兵器,农民们没了生产物资根本无法生存,村里的老铁匠因为擅自把铁器还给农民,自己被官兵投进大牢。老铁匠在牢里绝食,临死前用泥土和打翻的饭菜捏了一个玩偶,悲痛的女儿将玩偶拿回家,做针线活时不小心刺破手指,血滴在上面,玩偶活了起来。小东西吃铁为生,越长越大,铁匠一双儿女知道,这就父亲常讲的“不可杀”。“不可杀”长成一头巨兽,受姐姐驱使,在农民起义中帮助村人对付官兵,成了农民们的致胜法宝,不过迎来和平的村民发现,已经没有足够的铁供应给“不可杀”当食物,它会吃掉他们所有的劳作工具。英雄成了隐患,为了村民们的生存,姐姐流着眼泪挺身而出,献出自己的生命和“不可杀”同归于尽。
回复 :This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.comments from imdb:This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.15 out of 10 and then some. 10/10Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
回复 :上海1930年代,贫苦女人(阮玲玉)为养活儿子沦为暗娼,并不幸被一流氓看中霸占,她几次试图逃脱流氓的控制,均告失败,儿子到了入学的年龄,她不想因为没钱使儿子失去受教育的机会,便继续拿身体挣钱,为此,她要瞒着流氓从有限的收入里偷偷取出一些攒下。她的身份被儿子同学的家长得知,众人联合向校方施压,要“妓女的孩子”滚出校园,以免败坏学风,校长通过家访,晓得了女人的艰辛,决定让她的儿子继续在学校读书,可是一人的力量太单薄,学校董事会仍决定将其开除,女人为使孩子能继续念书,去拿积攒下的血汗钱准备远走他乡,不想她的钱已被流氓偷去赌博输光……