成双静玉是一个幼稚园教师,为人纯良和善而且充满爱心,但可惜却遇一件事,令她平淡的生活产生极大的变化,原来某日Siti看到一个杀手李复似行凶经过,最奇怪的是见到李复杀人后伤心流泪的样子,深深打动了静玉内心. Siti报案时认识了年青探员李复, Mark一直追查这个杀手下落,而且誓要将李复捉获,因此李复常常暗中跟踪静玉,因为他知道李复一定会向静玉下手,便欲趁那机会将李复捕捉.李复终于下手,在一次幼稚园放学之时要暗杀静玉,途中Mark出现勇救了静玉,李复慌忙逃走,取驾驶的汽车险撞向小孩身上,静玉奋不顾身扑出救了小孩,自己亦受了伤,李复因而逃走. Mark将静玉送往医院,静玉很不满Mark利用自己作鱼饵来引诱李复,对他十分不谅, Mark几番道歉亦令静玉回心转意,因此一役Mark对静玉发生了感情,并保证不会再用静玉作饵引李复上当,但私下里Mark仍为追捕李复而努力.李复虽然未能得手,但绝未放弃,又设下另一次行动,在静玉家中将其行刺,但李复想不到Mark早己布下天罗地网要把他捉拿,两人展开决斗.
米线
回复 :As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the missus' brother. A roguish country-western musician, he has just been invited to audition for the Grand Ole Opry, his chance of a lifetime to become a success. However, this is way back in Nashville, Red clearly drives terribly, and he's broke and sick with tuberculosis to boot. Whit, 14, seeing his own chance of a lifetime to avoid "growing up to be a cotton picker all my life," begs Ma to let him go with Uncle Red as driver and protege. Thus begins a picaresque journey both hilarious and poignant.
回复 :故事发生在1955年的法国南特，彼时那里正在进行一场轰轰烈烈的工人罢工运动，而钢铁工人弗朗西斯（理查·贝里 Richard Berry 饰）就是参与其中的一员。弗朗西斯租下了寡妇玛格特（达尼尔·达黎欧 Danielle Darrieux 饰）手里的一间房子，玛格特虽然是资产阶级，但是却对工人阶级充满了同情，时长向他们伸出援手。弗朗西斯有一个相恋多年的女友瓦雷特（Fabienne Guyon 饰），虽然瓦雷特腹中已经怀上了他的孩子，但这个冷漠残酷的男人还是选择抛弃了她，转而将注意力投向了一个名叫艾迪斯（多米尼克·桑达 Dominique Sanda）的女人。艾迪斯嫁给了一个富有的商人，可婚后的生活却令她苦不堪言，为了排遣内心的愤懑，艾迪斯偷偷从事着妓女的职业。
回复 :"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
