维奥拉和尼古拉正在经历一段艰难的时期。为了克服这一危机,亚洲久他们决定在尼古拉父母的一间偏远小屋里度过周末。只需在一起几天就可以治愈他们的伤口,亚洲久但当一个偷偷摸摸的怀疑变成纯粹的疯狂时,一切都会变得更糟。本来应该是一次安静的旅行,却突然陷入了一场致命的噩梦。
维奥拉和尼古拉正在经历一段艰难的时期。为了克服这一危机,亚洲久他们决定在尼古拉父母的一间偏远小屋里度过周末。只需在一起几天就可以治愈他们的伤口,亚洲久但当一个偷偷摸摸的怀疑变成纯粹的疯狂时,一切都会变得更糟。本来应该是一次安静的旅行,却突然陷入了一场致命的噩梦。
回复 :When your mouth can't speak. The sins in the world are witnesses that produce the painful torment of Hell.
回复 :In a North Dublin housing estate Char's mother goes missing. When she returns Char is determined to uncover the truth of her disappearance and unearth the dark secrets of her family.
回复 :Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.