三对分别来自香港、螳螂上海和韩国的恋人同时来到云南旅游，螳螂期望通过散心解决掉他们各自感情中的问题。来自香港已结婚七年的Mike（吴镇宇）和阿翠（袁咏仪）本有很深的情感基础，却因金融风暴导致的生活压力失却当年的爱情；来自上海结婚不久的柳百生（陆毅）和徐静（韩晓）正为婚后两人对事业与家庭如何兼顾持不同意见而痛苦；而来自韩国正在拍拖的年轻人宋子明（吴智昊）和Bo Bo（尹誉俐）则是一个渴望天长地久，一个只愿“曾经拥有”。他们的各种问题均被世博园导游小姐刘海（林心如）这位有心人看在了眼里，经过她的一番穿针引线，大部分问题得以顺利化解。可是对于自己的爱情麻烦，刘梅却一时无措不知如何是好。
回复 :该片改编自记者盖瑞·韦布的真人事件，他因揭露中情局毒品内幕而被CIA毁了整个生活的故事。
郑伟康
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
回复 :邱泽经营着一家典当行，任何人可以拿任何东西换取同等价的东西。邱泽发现，这样可以帮助到很多人，让他们拿不需要的东西换取有用的东西。可是当其中三人分别拿爱情、友情、亲情换取了他们所想要的东西，在经历了一些事后，他们三个都后悔了！邱泽梦醒后也发现，我们应当珍惜现在所拥有的一切，而不是在失去的时候才知道珍惜！
