周大力喜欢舞蹈演员许文清,亚洲 从银行取款买了一部即将报废的宝马,亚洲想出了“宝马顺风车附带送花” 的主意,许文清觉得他俗气,没法跟导演秦三元相比。虚荣的白领梁 曼丽为了宝马甩掉教师男友转而追求周大力,又因为发现真相后离去。
周大力喜欢舞蹈演员许文清,亚洲 从银行取款买了一部即将报废的宝马,亚洲想出了“宝马顺风车附带送花” 的主意,许文清觉得他俗气,没法跟导演秦三元相比。虚荣的白领梁 曼丽为了宝马甩掉教师男友转而追求周大力,又因为发现真相后离去。
回复 :在一次例行的夜间巡逻,警察朱莉和西蒙不慎伤了一个副局长的儿子,在昏迷状态,没有明显的理由下,他暴力的杀死了他们的同事,面对纪律处分,他们得不到上级的支持,在为他们的报告进行调查的过程中,发现在这个年轻人的房子有一个奇怪的药物。他们决定自己进行调查,发现一个新的网络化制造贩卖非法毒品的组织……
回复 :在寻找他的妹妹,一个叛变的罪犯寻求答案在一个肮脏的酒店,他遇到了一个阴险的客人和浪漫的神秘的女服务员。
回复 :Barefoot roadtrip around Guinea in search of the first film made by a local filmmaker. A charming and cinematic adventure, where the journey and the destination are equally important, and a film about collective memory and porous film reels.Does a film exist if no one has seen it? Guinean film director Thierno Souleymane Diallo goes on a barefoot road trip around his country to find the mythical 1953 film ‘Mouramani’ – the first Guinean film made by a local filmmaker. But it is not easy to find the film or anyone who has seen it for that matter. Some believe it is about the Islamisation of the Mandinka people. Others that it is about the relationship between a dog and its owner. Along the way, Diallo passes old, abandoned cinemas and dusty piles of moisture-damaged film reels. ‘The Cemetery of Cinema’ is a charming, cinematic adventure in which the journey is almost as important as the destination, and where the encounters along the way remind us of the importance of preserving a shared memory and culturel heritage.
