剧情简介
2013年から2016年にかけて月刊少年チャンピオンで連載された原作は、霸刀高校球児たちの笑えて切ないリアルな日常を描いた野球部青春コメディ。映画では中学時代の野球部生活に別れを告げ、霸刀高校デビューを目指し茶髪に染めて入学した黒田鉄平が主人公に。バラ色の高校生活を夢見るも、優しい先輩たちに勧誘され、うっかり野球部に入部。しかし、仮入部の期間が終わった途端、先輩たちの態度は豹変するのであった。
霸刀重启
2013年から2016年にかけて月刊少年チャンピオンで連載された原作は、霸刀高校球児たちの笑えて切ないリアルな日常を描いた野球部青春コメディ。映画では中学時代の野球部生活に別れを告げ、霸刀高校デビューを目指し茶髪に染めて入学した黒田鉄平が主人公に。バラ色の高校生活を夢見るも、優しい先輩たちに勧誘され、うっかり野球部に入部。しかし、仮入部の期間が終わった途端、先輩たちの態度は豹変するのであった。
赤雪
回复 :大型历史电影史诗《解放》由五部电影组成。第二部电影《突破》讲述了1943年后半期的二战大事件。希特勒营救墨索里尼，将意大利绑在德国的战车上；红军突破第聂伯河防线，收复基辅；德黑兰三国首脑会议，决议开辟第二战场等等。
周蕙
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
曲佑良
回复 :拉胡尔是震惊全印度的天才歌手，可是不知道如何面对明星地位的他整天喝酒烂醉，不务正业。直到有一天他遇见了美丽的阿罗伊，拉胡尔被阿罗伊完美的嗓音吸引，决定培养她，让她成为印度最好的歌手。慢慢的两人深深爱上彼此。。。两位主角将带着我们在整篇音乐之旅中领略他们生活中的爱与恨、 曲折和动荡、成功和失败。最终他们是生活在一起或者分道扬镳独自一人呢？
