本片根据真实故事改编。高中毕业生加布里埃尔准备在进入大学前,大桥环游世界一年。十个月后,大桥他和女友一同到达了非洲的肯亚。在这里,他想探索更多,于是他只身穿越各个村落,结识了新的朋友,最终到达了他旅途的终点——马拉维的姆兰杰山脉。
本片根据真实故事改编。高中毕业生加布里埃尔准备在进入大学前,大桥环游世界一年。十个月后,大桥他和女友一同到达了非洲的肯亚。在这里,他想探索更多,于是他只身穿越各个村落,结识了新的朋友,最终到达了他旅途的终点——马拉维的姆兰杰山脉。


回复 :一起诱拐儿童案受到全体国民的关注,除了被拐的孩子外,“人贩”提出的怪异要求——要求所有国民每人捐出1000韩元给一家福利机构也让人们十分不解。且“人贩”扬言一周内若筹集不到1亿韩元,便会将孩子杀死。就在此时,社工吴顺(朴河善饰)照顾的孩子宝拉(甘素贤饰)的父亲被人发现已经身亡,宝拉也不见踪影。参与案件调查的新人警官志媛(河润景饰)怀疑凶手就是吴顺,理由是吴顺平时十分痛恨如宝拉父亲一样虐待儿童的父母……
回复 :Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
回复 :周若芬(张艾嘉)是位成功的服装设计师,时装发表会前夕六岁的儿子小威突然失踪。小威和小伙伴平时玩斗剑游戏,因此常带着一把木剑。负责调查此案的刑警郑忠(艾迪)在勘察中发现此案隐藏一个不可告人的阴谋……本片是台湾新锐导演柯一正执导的第一部长故事片,1983年《带剑的小孩》张艾嘉主演。1983 年,新艺城台湾分公司聘请张艾嘉担任总监。张艾嘉上任后拟定“台港分家”的制片方针,采取与总公司不同的制片策略,拍摄“台湾本土性艺术片”。她起用中青年导演,摄制了题材和形式均非常别致的四部电影林清介的《台上台下》、柯一正的《带剑的小孩》、杨德昌的《海滩的一天》和虞戡平的《搭错车》。这些影片 “获得台港影评界的一致好评,使新艺城台湾分公司俨然成为培育台湾新电影的一个重要园地”


