利雄（古馆宽治 饰）和章江（筒井真理子 饰）结婚多年，红尘共同养育着女儿萤（筱川桃音 饰），红尘虽然生活平静毫无波澜，但夫妻两人之间早已经没有了感情的交流，仅仅维持着婚姻的空壳。利雄的朋友草太郎（浅野忠信 饰）出狱后来到利雄的工作室干活，寄宿在利雄家中。一边是冷淡的丈夫，一边是和善温柔的同居人，内心空虚而又寂寞的章江很快就在草太郎的攻势之下沦陷了。然而，当章江拒绝了草太郎的求欢后，草太郎便就此失去了踪迹，而萤亦遭遇了意外，余生唯有在轮椅上度过，利雄和章江不知道草太郎到底去了哪里，只知道萤的意外和草太郎有着脱不了的干系。
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
阿褔
回复 :日本福岛大地震毁掉了AV女优浅野夏美（波多野结衣 饰）生活中的一切，与此同时，她还得知同自己合作过多部作品的男优因为患上了艾滋病而自杀身亡，这也就意味着，自己一直以来都暴露在恐怖病毒的侵犯之下。一张不期而至的明信片让夏美决定前往台湾，在那里等着她的是她过去的恋人和分别已久的儿子。在海边的民宿中，夏美邂逅了日本料理师高振明（李康生 饰），高振明意外的发现夏美和自己失踪已久的妻子样貌十分相似，因此对她多了一份特殊的感情，这让一直和高振明保持着肉体关系的女助理小敏（纪培慧 饰）心中感到十分不是滋味，嫉妒在她的内心里慢慢积累发酵，最终爆发。
回复 :同志紀錄片大師托默賀曼Tomer Heymann跟拍當紅G片明星及伴遊Jonathan Agassi八年力作!即使因為國籍、宗教的關係而被認為是禁忌的工作,Jonathan仍成功地建立名聲,而且還擁有全球數百萬的粉絲。本片將一窺G片以及伴遊世界,甚至是G片明星與母子之間的獨特關係,同時也觸及G片明星尋求愛情和人生意義。
