春暖Ilya Goryunov has spent seven years in prison on false charges of drug trafficking. When Ilya is free he realizes that the old life that he yearned for is no more. Although he did not m.77mi.cc intend to take revenge on the man who sent him to prison, now there is no other way out.
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :女会计师耶拉（Nina Hoss 尼娜·霍斯 饰）遭遇生活危机，与具有暴力倾向的丈夫本（Hinnerk Schönemann 饰）离婚后，她在汉诺威阿尔法飞机厂找到一份新工作。在启程的当天，渴望赢回前妻的本上门纠缠，坚持送耶拉前往火车站。路上，两人发生激烈争吵，激动的本撞断桥栏，将车开进河里。爬上岸的耶拉不顾湿淋淋的身子和身边的本，拎着包向火车站跑去。然而时运不济，当初介绍她进入公司的主管被开除，耶拉的工作再次没有着落。偶然的机缘，耶拉结识风险投资经理人菲利普（Devid Striesow 饰），她的人生开始出现转机……本片荣获2007年柏林国际电影节最佳女主角奖。
回复 :山田篤宏执导并担任编剧、吉沢亮主演的[觉醒](AWAKE，暂译)发布剧照，影片讲述吉沢亮扮演的棋手荣一，在被天才棋手重创后退出职业圈，心灰意冷的荣一与几个朋友组成研究会，利用电脑AI与昔日的对手进行复赛对战，后为了激励与自己当年境遇相似的棋手，荣一选择重回台前。导演山田篤宏表示：吉沢亮为了扮演这个角色，自我增肥、驼背、连走路姿势都进行了设计，以至他在片场对吉沢亮说：“看到现在的你，我都忘记了之前你有多酷。”本片将于2020年12月25日登陆日本院线。