1912年,欧美刚过完年,欧美世代行医的叶家准备将女儿叶蕙心送到宫中给宣统皇帝做妃子。结果一行人走到半路,听说宣统皇帝已颁布《退位诏书》,叶父听到这个消息,不禁急火攻心,吐血而死,只剩下叶蕙心和一名贴身丫鬟。主仆二人收拾行囊,准备扶柩回乡。可没有想到,"末代皇妃"流落东州的消息不胫而走。 盘踞东州数年的少帅龙飞得知后,立刻派出数十名手下前来抓人。而杀人不眨眼的土匪头子--雪狼,也想抢她回去做压寨夫人。由此,二人围绕叶蕙心展开了一场争夺。 那么,孤助无援的叶蕙心将遭遇怎样的困境?
1912年,欧美刚过完年,欧美世代行医的叶家准备将女儿叶蕙心送到宫中给宣统皇帝做妃子。结果一行人走到半路,听说宣统皇帝已颁布《退位诏书》,叶父听到这个消息,不禁急火攻心,吐血而死,只剩下叶蕙心和一名贴身丫鬟。主仆二人收拾行囊,准备扶柩回乡。可没有想到,"末代皇妃"流落东州的消息不胫而走。 盘踞东州数年的少帅龙飞得知后,立刻派出数十名手下前来抓人。而杀人不眨眼的土匪头子--雪狼,也想抢她回去做压寨夫人。由此,二人围绕叶蕙心展开了一场争夺。 那么,孤助无援的叶蕙心将遭遇怎样的困境?
回复 :行侠仗义的剑客贾逸(张学友 饰)于偶然之中得知鬼王即将祸害人间,于是前往古剑山庄,想要借山庄绝学将鬼王扼杀在萌芽之中。途中,贾逸遇见了逃婚的女子古梦雪(王祖贤 饰),两人情愫渐生,然而,最终古梦雪还是离开了贾逸,成为了别人的妻子。古剑山庄庄主颜英告诉贾逸,鬼王在人间强 娶了一名女子,而这名女子不是别人,正是古梦雪,贾逸得知了真相,然而为时已晚。贾逸前往阴间想要救回古梦雪,遂和鬼王发生了激烈的战斗,在交战之中,贾逸身受重伤,所幸得到狐精青儿(张敏 饰)相救,才挽回一命。重整旗鼓之后,贾逸施展追日大法,想要令时光倒流,改变历史。
回复 :马洛(迪克·鲍威尔 Dick Powell 饰)是一名独来独往的私家侦探,某日,马里特(Douglas Walton 饰)找到了马洛聘他当自己的保镖,结果马洛却莫名其妙的挨了一顿打。之后,一个叫安(安妮·雪莉 Anne Shirley 饰)的女孩现身,她告诉马洛,他所遭遇的一切和她的继母格雷尔夫人及其所拥有的翡翠有着千丝万缕的关联。对翡翠深感好奇的马洛决定将这一连串的事件调查个水落石出。在安的协助下,马洛对事件的全貌渐渐的有了了解,而隐藏在背后的,是安的父亲(迈尔斯·曼德 Miles Mander 饰)。不仅如此,不久之前,马洛受雇寻找一个名叫维尔马的女子的下落,这名女子竟然也被牵连进了翡翠的案件之中。
回复 :Straub-Huillet’s adaptation of Heinrich Böll’s biting satire Bonn Diary presents the reflections of a reactivated officer who is summon ed to the West German capital by the Ministry of Defense to establish an Academy for Military Memories. Straub considered his film to be an intervention against German rearmament in the Adenauer era: "Machorka-Muff is the story of a rape, the rape of a country on which an army has been imposed, a country which would have been happier without one."In "Machorka-Muff," Mr. Straub, employing the cold, somewhat expressionistic but always loquacious approach of his other films, comes closest to underlining the almost subliminal irony of his themes. He briefly outlines, through the performance of Colonel Machorka-Muff, a former Nazi who is reinstated in the Adenauer regime, the unchanging thinking of the Nazi and/or the military mind. As the colonel of the title, Dr. Johannes Eckhardt is properly cold and convincing as the believer in the rights of the soldier. Although it is the shortest and earliest of Mr. Straub's films, it is both the most lucid of his works and the most clearly indicative of his potential as an imaginative filmmaker.