吴久秀（何超仪 饰）曾是一名十分专业的羽毛球运动员，日韩技术十分了得，日韩然而，一场意外令她放弃了事业，人生步入了低谷，过得窝囊落魄。某日，在偶然之中，邋邋遢遢浑浑噩噩的吴久秀遇见了小混混刘丹（郑伊健 饰）和他的朋友们，刘丹虽然外表看起来吊儿郎当很不正经，但其实拥有一颗善良的心。吴久秀成为了刘丹一行人的羽毛球教练，在传授技艺的过程中，吴久秀渐渐找回了过去叱咤风云的感觉，决定好好的对待生活，对待自己。刘丹亦在运动和挥洒汗水之中找到了生活的希望和意义，三个对羽毛球一窍不通的门外汉，在吴久秀的调教之下竟也打得有模有样。
回复 :A scientist builds a massive ark after his warnings of an Earth-destroying flood are ignored. But when it's evident the disaster will occur, those who maligned the scientist now turn to him in desperation, boarding the ark and seeking his answers before the world drowns in a never ending sea.
回复 :奥利弗的梦想是成为一名歌手，可是，才华满满的他却似乎总是不走运，白白错失了很多成名的机会，至今默默无闻。女儿安娜贝尔（玛拉·威尔逊 Mara Wilson 饰）将父亲的努力都看在眼里，相信世界上有魔法存在的她向仙女寻求帮助，哪知道求来了一个对法术并不是很精通的仙童莫瑞。莫瑞虽然有心想要帮助奥利弗和安娜贝尔，可是能力有限，往往弄巧成拙惹出一对的大麻烦。与此同时，邪恶的魔女克劳迪亚（黛博拉·奥黛儿 Deborah Odell 饰）重活了自由，为了称霸世界，她偷走了所有的魔杖，可百密一疏把莫瑞手上的那一根给漏掉了，就这样，莫瑞成为了拯救世界的最后希望。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
