入室Roscoe and Buster operate a combination garage and fire station. In the first half they destroy a car left for them to clean. In the second half they go off on a false alarm and return to find their own building on fire.
入室Roscoe and Buster operate a combination garage and fire station. In the first half they destroy a car left for them to clean. In the second half they go off on a false alarm and return to find their own building on fire.
回复 :未来世界,地球因环境污染而千疮百孔,人类家园破败萧条。一颗陨石突然撞击地球,并带来杀伤力极强的外星生物,560万人将因此失去生命。人类命运岌岌可危,总指挥李升(张家辉 饰)派出以军人泰来(古天乐 饰)为首的精英部队前往执行改造计划,部队却突遭暴力攻击,只有泰来和通讯兵光仔(万国鹏 饰)幸存。军官谭冰(刘嘉玲 饰)坚持执行PlanB,指挥官郑重生(刘青云 饰)反对并找来旧友臭鼬(姜皓文 饰)前往支援。拯救家园刻不容缓,但在通讯员小绿(吴倩 饰)悄悄提醒下,泰来发现了一个足以毁天灭地的邪恶阴谋……
回复 :一声响指,宇宙间半数生命灰飞烟灭。几近绝望的复仇者们在惊奇队长(布丽·拉尔森 Brie Larson 饰)的帮助下找到灭霸(乔什·布洛林 Josh Brolin 饰)归隐之处,却得知六颗无限宝石均被销毁,希望彻底破灭。如是过了五年,迷失在量子领域的蚁人(保罗·路德 Paul Rudd 饰)意外回到现实世界,他的出现为幸存的复仇者们点燃了希望。与美国队长(克里斯·埃文斯 Chris Evans 饰)冰释前嫌的托尼(小罗伯特·唐尼 Robert Downey Jr. 饰)找到了穿越时空的方法,星散各地的超级英雄再度集结,他们分别穿越不同的时代去搜集无限宝石。而在这一过程中,平行宇宙的灭霸察觉了他们的计划。注定要载入史册的最终决战,超级英雄们为了心中恪守的信念前仆后继……
回复 :Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.