第二次世界大战进入最后阶段:午夜德军据守莱茵河防线,午夜美国陆军缺乏了解德国莱茵河对面的重要防务情报,决定派遣投诚的德国战俘渡河搜集资料。经过对战俘的甄别训练后,美军情报单位组织了一个由德国战俘组成的间谍小队。大战在即,这支反水的特工部队是否能物尽其用?
第二次世界大战进入最后阶段:午夜德军据守莱茵河防线,午夜美国陆军缺乏了解德国莱茵河对面的重要防务情报,决定派遣投诚的德国战俘渡河搜集资料。经过对战俘的甄别训练后,美军情报单位组织了一个由德国战俘组成的间谍小队。大战在即,这支反水的特工部队是否能物尽其用?
回复 :Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, after his mother has gone to bed, he dons leather and heads for a private club. He telephones a tattoo artist with a special request. He goes to confession, accusing himself of despairing. He cries out during a nightmare, waking his mother. "You're a good boy," she's told him. He prays the Stations of the Cross, and he lives out his own sorrowful mysteries.
回复 :Vasu, a young medico, after rescuing one of his patients from a murder attempt finds out that his pregnant wife is abducted, and the kidnappers demand the patient he saved in exchange for her safety.
回复 :"Sinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows. Flows of populations, of products, and of processes. Because Sinofuturism has arisen without conscious intention or authorship, it is often mistaken for contemporary China. But it is not. It is a science fiction that already exists.Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the people of its diaspora.With reference to Afrofuturism and Gulf Futurism, Sinofuturism presents a critical and playful approach to subverting cultural clichés.In Western media and Orientalist perceptions, China is exotic, strange, bizarre, kitsch, tacky, or cheap. In its domestic media, China portrayed as heroic, stable, historic, grand, and unified. Rather than counteract these skewed narratives, Sinofuturism proposes to push them much further.By embracing seven key stereotypes of Chinese society (Computing, Copying, Gaming, Studying, Addiction, Labour and Gambling), it shows how China's technological development can be seen as a form of Artificial Intelligence."