《可爱的中国》是上影集团向新中国成立60周年重点献礼影片,亚洲该片已被中宣部和国家广电总局列为“庆祝新中国成立60周年影片第二批重点推荐影片”。《可爱的中国》以三段式的结构,亚洲用方志敏同志的《血肉》、《清贫》、《可爱的中国》三篇文章标题为基础构筑全片,通过红十军突围、被捕前后、狱中斗争等时空交叉,讲述方志敏同志伟大而感人的一生。影片以波澜壮阔的战争场面,坚定不移的理想信念,感人肺腑的清廉行为,令人信服的高尚人格,塑造了一代伟人方志敏的光辉形象。
《可爱的中国》是上影集团向新中国成立60周年重点献礼影片,亚洲该片已被中宣部和国家广电总局列为“庆祝新中国成立60周年影片第二批重点推荐影片”。《可爱的中国》以三段式的结构,亚洲用方志敏同志的《血肉》、《清贫》、《可爱的中国》三篇文章标题为基础构筑全片,通过红十军突围、被捕前后、狱中斗争等时空交叉,讲述方志敏同志伟大而感人的一生。影片以波澜壮阔的战争场面,坚定不移的理想信念,感人肺腑的清廉行为,令人信服的高尚人格,塑造了一代伟人方志敏的光辉形象。
回复 :阿李(刘青云 饰)是一位神父,一生兢兢业业传道授业,向世人宣讲神的伟大和光辉。然而,一场意外之中,阿李竟然沦为了强奸犯,被推上了被告人的席位,接受法律的审判。阿李的特殊身份令此案充满了猎奇的意味,人人都认为阿李必定获得有罪判决,然而只有阿李的心中明白,自己从未背叛过信仰 。顾薇(李若彤 饰)是一位恪尽职守的律师,这也就意味着,在她的眼中,善恶输赢皆是手中翻覆的玩物,唯有利益才是永恒不变的真理。阿金(曾志伟 饰)身为双手沾满了鲜血的黑帮头目,却是阿李门下最虔诚的信徒,神宽恕他的罪孽,却不能阻止他继续作恶。他们是唯二站在阿李身边支持他的人,在他们的帮助下,阿李能否洗刷罪名,重获清白呢?
回复 :乡下姑娘苏苏来到了城里找丈夫,可她却看到丈夫正和花家千金拜堂成亲,丈夫失去了记忆,苏苏居然到花家当起了丫鬟,苏苏受尽了苦难,但渐渐的苏苏发现了真相,是丈夫贪图富贵故意不认苏苏,苏苏震怒之下休了丈夫……
回复 :SummaryBullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...ReviewDrawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.