和往常一样，亚洲新洲车站的站台上挤满了熙 熙攘攘的旅客。离4255次从新洲开往建三 江的旅客列车发车还有五分种的时候，亚洲警 长雪梅、列车长荷花带着她们的“三八女子 列车组”登上了列车。和她们一起登上列车 的，还有上级公安部门派下来的考察组石 峰警官和他的同事柳青。让他们都没有想 到的是，遭全国通缉的犯罪嫌疑人张宏伟 和她的女朋友李婷也在人流中登上了4255 次列车。列车驶出站台后，回到办公室的值班民警 李明想起刚才在站台上撞上的一名旅客人 比较眼熟。经同事的无意提醒，李明判断 被撞上的那个旅客正是在全国范围内通缉 的爆炸贩毒嫌疑人张宏伟。情况上报后， 铁路公安局当即行动，并责成周局长负责 指挥对张宏伟实施抓捕。列车在广袤的田野上飞驰。车厢里，柳青 和李婷、石峰和张宏伟分别在硬座和卧铺 车厢里对面而坐；列车外铁路公安局的指 挥部里，周局长和刘跃紧张地分析...
回复 :Barefoot roadtrip around Guinea in search of the first film made by a local filmmaker. A charming and cinematic adventure, where the journey and the destination are equally important, and a film about collective memory and porous film reels.Does a film exist if no one has seen it? Guinean film director Thierno Souleymane Diallo goes on a barefoot road trip around his country to find the mythical 1953 film ‘Mouramani’ – the first Guinean film made by a local filmmaker. But it is not easy to find the film or anyone who has seen it for that matter. Some believe it is about the Islamisation of the Mandinka people. Others that it is about the relationship between a dog and its owner. Along the way, Diallo passes old, abandoned cinemas and dusty piles of moisture-damaged film reels. ‘The Cemetery of Cinema’ is a charming, cinematic adventure in which the journey is almost as important as the destination, and where the encounters along the way remind us of the importance of preserving a shared memory and culturel heritage.
回复 :一名囚犯在守卫的押解下前往家乡，试图和女儿重新建立联系并弥补自己的过错，但一场悲剧为他的旅程蒙上了阴影
回复 :告别了往昔的喧嚣繁华，日渐寥落的矿工小镇冷石镇迎来了最为悲凉恐怖的时刻。在相当长的一段时期，镇上的小孩接连失踪，人们相信是一个神形高大宛如恶魔般的男人带走孩子。儿童失踪案震惊全国，也让冷石镇的居民们提心吊胆，惶惶不可终日。早年丧夫的小镇护士茱莉娅·丹宁（杰西卡·贝尔 Jessica Biel 饰）似乎不太相信高个男人的传说，对她来说，与儿子戴维（雅可布?戴维斯 Jakob Davies 饰）相处便是幸福的全部。在某个刚刚被暴雨洗礼的夜晚，酒后微醉的茱莉娅突然发现家中有人侵入，儿子戴维更是不知去向。她惶恐地追了出去，见到一辆车正准备逃跑，茱莉娅不顾一切奔跑上前。难道传说中的高个男人真实存在？而他抢掠孩子的目的又是什么？母爱让人化身天使，母爱让人化身恶魔……
