徐仲薇
发表于1分钟前回复 :这是一部反映现代农村生活的轻喜剧影片新世纪的中国农家正享受着耕耘的欢娱,享受着新科技、新事物带来的美好生活的乐趣,互联网、WTO、申奥……所有新鲜事儿没有他们不知道的。但他们在那些“传统”问题上,还是有些想不开。这不,一对老“冤家”常老三、吴老四,为了儿女冬瓜、红豆的婚事,摆起了比富的擂台,从而引出一串令人啼笑皆非的故事。影片将突破以往农村喜剧的模式,透过具有时代特点的情景和故事,让民族文化的古朴与时尚在此交融。该片的演员网罗来一大批“古今中外名士”:在《水浒传》、《窦尔墩》、《笑傲江湖》等影视作品中饰演鲁智深、不戒和尚的臧金生,在片中饰演“乐天”吴老四;《笑傲江湖》里华山派端庄的宁女侠刘冬,这次是他的女当家。主演过《夕照街》、《遭遇激情》、《大捷》等影视作品的袁苑饰演“赖皮”常老三。此外,加盟该片的还有刘希媛、李修蒙、张琰琰等一些新秀;“大众妹妹”于文华也来助兴,当起了“老板娘”。
张清芳
发表于4分钟前回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.