中年失意的儿子田力行(古天乐饰)在生活上遇到了重重危机:中国母亲病逝、中国工作不顺、妻子要求离婚。正处在这苦不堪言的困境中时,田力行79岁的痴呆父亲田一雄(吴镇宇饰)却突如一只再生的蝉,接二连三地脱皮并且不断变年轻——60岁、52岁、37岁、28岁、19岁。父亲一生中的六个阶段再现,也使得田力行穿梭了“六个爸爸”的六个年代,从未与父亲认真相处过的田力行重新认识了这六个阶段的父亲,从父亲波折的一生中,他似乎找到了自己的出路和重新起步的方向……
中年失意的儿子田力行(古天乐饰)在生活上遇到了重重危机:中国母亲病逝、中国工作不顺、妻子要求离婚。正处在这苦不堪言的困境中时,田力行79岁的痴呆父亲田一雄(吴镇宇饰)却突如一只再生的蝉,接二连三地脱皮并且不断变年轻——60岁、52岁、37岁、28岁、19岁。父亲一生中的六个阶段再现,也使得田力行穿梭了“六个爸爸”的六个年代,从未与父亲认真相处过的田力行重新认识了这六个阶段的父亲,从父亲波折的一生中,他似乎找到了自己的出路和重新起步的方向……
回复 :JOHN和NANCY是对恩爱的夫妻,为了逃避城市的拥挤和紧张,搬往乡村渡假屋,一日,一个神经汉闯入家中,在屋里展开了一场紧张刺激惊心动魄的困兽斗,娇弱无助的NANCY发现丈夫JOHN死于恶汉之手,被逼坚强起来,化悲愤为力量。与恶汉决一死战。
回复 :钱钰盈(桂纶镁饰)的丈夫郑子汉(杨祐宁饰)在腿部截肢手术后不幸离世,钱钰盈想拿回丈夫被截肢的腿,却被医院百般刁难、互踢皮球,于是一场异想天开的“夺腿计划”就此展开!她缠着外科医生要求帮忙,跑到一般人从未见过的医院地下室,在一包包检体中寻找丈夫的腿,甚至找上内勤人员监控医院合作车辆的GPS,闹到医院院长都来关切…而这段充满黑色幽默的寻腿旅程中,也勾起钱钰盈与郑子汉从相识、相爱到相互亏欠的过往回忆。郑子汉对美丽的国标舞者钱钰盈一见钟情,在照相馆朋友约翰(张少怀饰)的牵线之下成为她的舞伴,两人坠入爱河、步入婚姻,是人人称羡的神仙眷侣。但郑子汉一心想要赚大钱让妻子过美好日子,却让两人的感情逼入绝境,最终形同陌路,没想到两颗心再次靠近时却是在医院里将面临生离死别的时候…
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.