情夜
地区:加拿大
  类型:家庭
  时间:2025-08-02 10:01:58
剧情简介

主人公郑郝从外形到气质都是一名纯粹的屌丝,情夜无论何时何地存在感都很低。他与一位好友,情夜外号龅牙仔,共同在一家电视台工作。郑郝小时候曾向乞丐买了一个玩偶石狮子,只因乞丐欺骗他玩偶会让他有超能力。后来,郑郝和龅牙仔去采访跆拳道女将沈青,郑郝被沈青误当成了小偷踢晕在地,恍恍惚惚中发生的一系列故事和情境仿佛就是超能力带来的神奇现象......然而,当郑郝醒来,一切都是他被沈青踢晕之后的梦境。重新见到龅牙仔的郑郝欣喜若狂,两位屌丝开始了充满正能量的生活。

7次播放
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明星主演
邹振先
高远
傅霖
最新评论(933+)

孙楠

发表于4分钟前

回复 :1857年印度民族起义期间,章西女王反抗英国在印度的统治。


金城武

发表于2分钟前

回复 :离异父母的七个孩子,厌倦了总是每周更换房子,因此决定建立一个反抗父母的计划。


乔任梁

发表于8分钟前

回复 :Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.


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