剧情简介
初出茅庐的栗原（柄本佑饰）被上司（光石研饰）派到韩国釜山去拍摄旅游广告片。对韩文一窍不通的他只身来到异国，欧美竟然没能碰上原先约好的当地导游。正当他一筹莫展之际，欧美邂逅了一名神秘的日本美女阳子（江口德子饰）。两人一同观光游览，釜山正在举行国际电影节，整个城市十分热闹。快乐的三天很快过去，分手的时刻就在眼前，栗原得知了阳子的秘密……
欧美日韩一区二区在线
初出茅庐的栗原（柄本佑饰）被上司（光石研饰）派到韩国釜山去拍摄旅游广告片。对韩文一窍不通的他只身来到异国，欧美竟然没能碰上原先约好的当地导游。正当他一筹莫展之际，欧美邂逅了一名神秘的日本美女阳子（江口德子饰）。两人一同观光游览，釜山正在举行国际电影节，整个城市十分热闹。快乐的三天很快过去，分手的时刻就在眼前，栗原得知了阳子的秘密……
回复 :美国内战时期，法国大作家Victor Hugo的二女儿Adele Hugo（伊莎贝尔·阿佳妮 Isabelle Adjani饰）漂洋过海来到加拿大的Halifax寻找自己的爱人——英国军官Pinson（布鲁斯·罗宾逊 Bruce Robinson）。然而Pinson却已移情别恋，对Adele异常冷漠。Adele想尽一切方法想挽回Pinson皆告失败。而另一方面，当地高昂的生活费也让Adele难以承受，只能一次又一次要求父亲汇钱。此时的Hugo正流亡在一个小岛上，妻子病重，两人多次希望Adele能返回家中，但Adele坚持留在加拿大。恋情的失败让Adele经常想起她溺水身亡的姐姐，她的精神开始变得错乱。之后，Pinson跟着部队离开Halifax前往另一个小岛Barbados，Adele也跟随而去，在那里，她的病情日益恶化，最终被送回法国，在休养院里度过余生，最终于一战时期悄然离世。本片是关于雨果二女儿Adele的传记片，扮演Adele的伊莎贝尔·阿佳妮获当年奥斯卡最佳女主角提名。
回复 :琛仔（古天乐饰）、紫少（雷宇扬饰）和长发（丁子峻饰）是广播台灵异节目的当红主持人。老板（谷德昭饰）为达收听率不择手段，没有告知三人当年有人因为作该节目暴毙的事。一日三人夜晚作节目时接到一个名叫Anita（李蕙敏饰）的少女打来的电话，诉说痛失男友的痛苦。不耐烦的长发让Anita想不开就去跳楼，结果Anita就范。此后，三人身边开始不断出现怪事，情况也越来越凶险......
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
