街市无赖韦小宝（汪禹 饰）阴差阳错进了宫，无码意外还和康熙皇帝（刘家辉 饰）打成一片，无码成了死党。随后，他更成了康熙的忠臣，帮康熙出谋划策，除掉了心腹大患鳌拜，一时官至极品，曾经的街市无赖终于出人头地。小宝也并非事事顺利，因其曾受天地会舵主陈近南所救，拜了陈近南为师傅，所以他在宫内的一大任务就是帮助天地会取得太后那里的四十二章经。由于四十二章经关系重大，除了天地会、神龙教，甚至康熙都想查出其下落，小宝就在各方势力下鬼马周旋，最后更凭借其聪明才智成功脱身。
罗丹
回复 :故事发生在清朝末年，西方列强的洋枪洋炮轰开了东方睡狮闭锁许久的大门，慈禧太后只手遮天，无心国运。华夏大地生灵涂炭，民不聊生，革命的火种酝酿蓬勃，即将成为一场足以颠覆王朝的燎原大火。出身于刘永福黑旗军的大刀队长王五（杨凡 饰）怀有一身高超武艺，然而在刺杀日军司令的行动中他遭遇惨痛的败绩，手下们相继阵亡，愧对部下的他跳崖自杀，侥幸生还后则隐居在东北乡野。在命运的安排下，王五结识了谭嗣同（狄龙 饰）和袁世凯（赵长军 饰），三人情投意合，携手上京闯荡。创立了强武学会的王五邂逅了美人颜夕（关之琳 饰），而对方却是奕亲王（黄锦江 饰）的爱妃。国家局势动荡不安，王五和谭嗣同、袁世凯也各自走上了不同的人生之路……
董敏莉
回复 :北宋年间，朝中宦官持政，民间妖物横行。汴梁城中，邪教丛生，其中最大势力名为“外九流”。由包拯、展昭、公孙策带领的开封府衙，明断人案，暗中审理妖案，以维持世态平衡。包拯将逼死生父的孙贤涛斩首，得罪其义父大内陈公公。城南突发命案，展昭前去探查，遇捕头腾玉，腾玉以人案思维推理案情，却被展昭告知明为人案，实则妖物作祟。腾玉跟随展昭进入真正的鬼市，狐妖莹儿好意提醒展昭，此案背后势力庞大，难以撼动。展昭以命换物，用换得的长柄灯笼引来犯下命案的妖物。邪教“外九流”的千面优伶假扮公孙策，杀害司徒阳，试图毒害包拯被包拯识破，与展昭协力将千面优伶斩首，而公孙策生死不明，外九流正筹划着更庞大的阴谋，眼见不一定为实，一切似乎都隐藏在迷雾中……
东方快车
回复 :This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time.“The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez
