谢尔盖·洛兹尼察是一位东欧历史的出色记录人。他的记录既涵盖了最近的事件，亚洲如《中央广场》（2014）中的乌克兰叛乱，亚洲也涵盖了更早的事件，如《国家葬礼》（2019）中的斯大林葬礼。他在展现过去时总是保持警觉，巧妙地运用档案素材，使观众仿佛成为现场目击者。在这部讲述1989年到1991年间，波罗的海国家立陶宛脱离苏联的影片中也是如此。这一以大量歌唱进行和平抗议的时期被称为"歌唱革命"。作为独立运动的发起人之一，现年88岁的维陶塔斯·兰茨贝吉斯当时处于历史剧变的中心。借助大量关于示威活动、党代会和苏联军事干预的档案素材，他富于洞察力的思考得到补足。冗长的档案片段见证了在通往自由的道路上，兰茨贝里斯和他的同胞们所需要付出的耐心。这是一堂关于苏联解体的细致而引人入胜的历史课。本片获IDFA竞赛单元最佳影片奖、最佳剪辑奖。
香岱儿
回复 :空姐出身的张嘉欣（杨思琦 饰）一生追求浪漫的爱情，无奈情路坎坷，突然宣布要和钻石王老五Gary（李铭顺 饰）结婚。同是空姐出身的三位好姐妹（张可颐、刘心悠、卫诗雅 饰）一同在马来西亚见证嘉欣大婚，嘉欣却临阵退缩，宁做落跑新娘一路出逃到杭州疗情伤。在情场中寻覓的没有脚的小飞鸟，最后被艺术折服，方停下脚步……一个商场中的女强人，以为抓紧老公不放会快乐，最后知痛，放手，才得到解脱的快乐。 一个极之重视外表的OL，三天之内180度转变，她真正需要的是有承担、能解决问题的男人，踏实的生活才会令她快乐。一个宅女，找到一个会令她笑的男人，就快乐了。三姐妹如何惩罚贱男为姐妹复仇？这出喜剧又将如何收场？
回复 :A morgue technician successfully reanimates the body of a little girl, but to keep her breathing, she will need to harvest biological materials from pregnant women. When the girl's mother, a nurse, discovers her baby alive, they enter into a deal that forces them both down a dark path of no return.
成震
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
