剧情简介
曼儿（林嘉欣 饰）为了寻找男友德森（郑伊健 饰）生前的一幅画来到了青岛。男友因为遗传性的疾病而离开了她，曼儿一直想找到这个画中的景象。青岛是德森小时候生活的地方，她想在这里能找到线索。来到青岛后的她认识了乐于助人的邮差小烈（刘烨 饰），小烈更乐于帮助曼儿寻找画中景象。但没想到的是小烈与曼儿之间的感情发生了微妙的变化，使曼儿不知所措，百般滋味在心头……
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曼儿（林嘉欣 饰）为了寻找男友德森（郑伊健 饰）生前的一幅画来到了青岛。男友因为遗传性的疾病而离开了她，曼儿一直想找到这个画中的景象。青岛是德森小时候生活的地方，她想在这里能找到线索。来到青岛后的她认识了乐于助人的邮差小烈（刘烨 饰），小烈更乐于帮助曼儿寻找画中景象。但没想到的是小烈与曼儿之间的感情发生了微妙的变化，使曼儿不知所措，百般滋味在心头……
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
回复 :种族主义者比德尔兄弟，持枪抢劫了一个加油站，被警察击伤后在县监狱医院受监护治疗，他们不想要来自黑人居民区的卢瑟·布鲁克斯博士的医治。 当在卢瑟努力救他们的时候，兄弟约翰不治，狂怒的比德尔认定卢瑟努是谋杀者，事件迅速向暴力方向滑动......
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