剧情简介
“寻”：中文字幕何倩美刚从外地返港，中文字幕闲极无聊，拨电到旧居，怎料听电话的竟是自己，自此以后，她不断受电话困扰，从而揭发一宗命案。“离骚”：杨丽及其丈夫何文田两人恩爱非常。但丽行动怪异，常拿菜刀切肉斩瓜，制造噪音，令邻居聋婆不胜其烦，聋婆对丽非常憎恶，于是打小人，却被田听见她咒骂丽，怒将聋婆杀死，丽亲眼见田害死人，不知如何是好。
中文字幕51精品
“寻”：中文字幕何倩美刚从外地返港，中文字幕闲极无聊，拨电到旧居，怎料听电话的竟是自己，自此以后，她不断受电话困扰，从而揭发一宗命案。“离骚”：杨丽及其丈夫何文田两人恩爱非常。但丽行动怪异，常拿菜刀切肉斩瓜，制造噪音，令邻居聋婆不胜其烦，聋婆对丽非常憎恶，于是打小人，却被田听见她咒骂丽，怒将聋婆杀死，丽亲眼见田害死人，不知如何是好。
李路
回复 :安娜（克里斯蒂娜•里奇 Christina Ricci 饰）是一次车祸的幸存者，然而她惊讶的发现自己已经被判定了死亡。证据是她的葬礼已经在准备中，负责人正是葬礼主管艾略特（连姆•尼森 Liam Neeson 饰）。安娜对此既不解又恐惧。因为她很清楚，葬礼的终点就是入棺活埋。她对艾略特现身，希望后者坚持自己还活着的真相。两个人在封闭的停尸间进行着辩论，艾略特坚持履行自己的职责，并对安娜解释她到“来世”的种种缘由。而安娜面对不见底的黑暗，内心无比悲凉。然而，艾略特并不认同安娜的说法。他坚持自己是因为通灵才能辨识安娜的游魂。只有一个人还坚信安娜活着，那就是她的男友保罗（贾斯汀•朗 Justin Long 饰）。他并不认同艾略特的说法，坚持调查安娜的死因，慢慢地，他接近了真相……
城南海
回复 :证券公司基金管理人石宇（孔侑 饰）光鲜精干，却也是个重利轻义之徒。妻子为此与之决裂，女儿秀安（金秀安 饰）则对如此自私的父亲越来越失望，决定前往釜山和母亲生活。在秀安生日这天，石宇抽出时间陪伴女儿登上开往釜山的特快列车。而与此同时，城市四处出现了极为可疑的暴动事件。政府极力洗白无法掩盖丧尸肆虐的事实，即便懵然无知的列车乘客也因为不速之客的到来而堕入恐慌绝望的地狱中。开车的刹那，一名感染者冲入车厢，而她很快尸变并对目光所及之处的健康人展开血腥屠杀。未过多久，丧尸便呈几何数爆发性地增长。石宇被迫和幸存者的乘客们在逼仄的空间中奋力求生。通往釜山的遥遥旅途布满杀机，危难时刻每个幸存者的人性也承受巨大的考验……
回复 :Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
