《万圣节》定档两部续集曝光宣传片分别定名"杀戮"和"终结" 系列第12/13部新作两部新片分别定名《万圣节杀戮》(Halloween Kills)和《万圣节终结》(Halloween Ends),车神将先后于2020年10月16日和2021年10月15日北美上映。《万圣节》导演大卫·戈登·格林也将继续执导。
《万圣节》定档两部续集曝光宣传片分别定名"杀戮"和"终结" 系列第12/13部新作两部新片分别定名《万圣节杀戮》(Halloween Kills)和《万圣节终结》(Halloween Ends),车神将先后于2020年10月16日和2021年10月15日北美上映。《万圣节》导演大卫·戈登·格林也将继续执导。
回复 :大雨瓢泼的都市,邪恶欲望肆意横行。不经意间残忍而血腥的猎奇案件接连发生,有的人被饿犬撕咬而死,有的人被割掉和出生时同样重量的肉而死掉,有的被平均切成两半分送给妻子与情人,有的则被冻在冰柜中永葆不老的青春,更有人嘴里被塞满了大大小小的钉子。正为家庭矛盾所苦恼的搜查一课刑警泽村久志(小栗旬 饰)受命追查此事,随着调查的深入,他发现凶手全系一人所为,而且热衷在雨天行凶作案,之后他更发现所有死者全与许多年前的一起案件有关,偏偏泽村离家出走的妻子(尾野真千子 饰)也被卷入其中。争分夺秒的追查,凶手已对泽村亮出獠牙……本片根据日本漫画家巴亮介的同名原作改编。
回复 :影片围绕着心理学家皮特与他被“鬼混”侵扰的病人之间展开,随着病情研究的深入,隐藏在恐惧背后的可怕事件也将渐渐浮出水面。
回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný