自小一起长大的少女花（铃木杏）与艾丽斯（苍井优）是一对亲密好友，亚洲但两人性格迥异，亚洲艾丽斯活泼好动，见爱就追，花则天性害羞，不敢同喜欢的男生讲话。在每天陪伴艾丽斯尾随其一见钟情的高校男生时，花也偷偷恋上了经常与该男生结伴同行的宫本。花与艾丽斯双双考进宫本所念书的高校，花也设法成为了宫本所在的相声社团的社员。某次意外令宫本患上短暂性的“记忆丧失”，花趁机编出其是宫本曾开口示爱的对象，两人谈起伪恋爱。眼看谎言越撒越多接近无法收场，花情急之中把艾丽斯拉了进来，不想她自己成了“电灯泡”。
回复 :《贴身卧底》是一部集警匪、偶像、爱情于一体的正能量动作大片。为摸清毒品“快乐果”的来龙去脉，完成彻查毒品案的使命，两位警花肖雨桐、宋曼妮奉命乔装卧底，潜伏在制贩毒犯罪分子身边。表面温和柔弱、内心刚强坚韧的她们，与阴险狡诈的毒枭们周旋，发现了重要线索------“企业家”柯大海和娇艳的女助手林冰竟是掌控着制贩毒网络的首脑。此时此刻，贪婪的林冰与欲金盆洗手、退出江湖的柯大海反目。为拯救肖雨桐的心上人、柯大海的独子柯杰森，将制贩毒网络一举擒获，警花们与林冰、柯大海等斗智斗勇。肖雨桐能否帮助柯杰森化险为夷？怙恶不悛的林冰能否被绳之于法？一场正义与邪恶的较量开始了。
胡兵
回复 :本片真实故事改编，讲述一个农村孩子“小熊猫”因家贫辍学后,同女友和兄弟一起在城市打拼做拍客追逐电影梦。但是在成长过程中他被母亲抛弃，被父亲赶出家门，为了实现梦想，他找了一群人一起拍电影，正当影片杀青之际，才发现编剧的剧本是网上抄来的，大家电影梦破碎各奔东西，这时熊猫的女友和有钱人走了，好兄弟起了矛盾回农村了。这时一个人亲情、爱情、友情失去了后，他再遇之前追打他的四个混混，四个混混拉到赞助，开拍他创作的剧本，这时父亲突然出现说可以作曲，也要参加熊猫的电影拍摄，最终电影拍摄杀青首映，成功圆梦。本片根据真实故事、中国网络十大拍客跨云星故事改编，多数是导演亲身经历。
回复 :Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。SummaryBullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...ReviewDrawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
