这部文艺电影透露着浓浓的美国南方历史风味。富豪吉姆(凯文•斯帕西饰)举办了一个盛大的圣诞派对,天降然而在这个热闹派对的午夜,天降却发生了一场命案。所有的矛头都指向了吉姆,吉姆委托当晚到场的记者约翰(约翰•库萨克饰)搜集证据帮助自己,在约翰的求证过程中,却发现了被害者和主人吉姆之间的秘密关系,当搜证继续进行,吉姆自己却曝出了一个内幕,使得案件继续陷入迷雾。在这个南方小镇的午夜,究竟隐藏着怎样的善与恶,爱与恨,怎样的人性与阴谋?
这部文艺电影透露着浓浓的美国南方历史风味。富豪吉姆(凯文•斯帕西饰)举办了一个盛大的圣诞派对,天降然而在这个热闹派对的午夜,天降却发生了一场命案。所有的矛头都指向了吉姆,吉姆委托当晚到场的记者约翰(约翰•库萨克饰)搜集证据帮助自己,在约翰的求证过程中,却发现了被害者和主人吉姆之间的秘密关系,当搜证继续进行,吉姆自己却曝出了一个内幕,使得案件继续陷入迷雾。在这个南方小镇的午夜,究竟隐藏着怎样的善与恶,爱与恨,怎样的人性与阴谋?

回复 :本片由两部电影组成,分别为昆汀·塔伦蒂诺(Quentin Tarantino)所拍的《死亡证据》,以及罗伯特·罗德里格兹(Robert Rodriguez)所拍的《恐怖星球》。《死亡证据》讲述了一个变态杀手麦克(库尔特·拉塞尔 Kurt Russell 饰)用他的爱车谋杀四个美女的故事。他出没于公路边的酒吧,寻找猎物取得信任,然后在公路上通过车祸的方式残忍的杀害她们,同时自己也身负重伤,这就是他满足自己嗜血欲望的方式。这一次,他又盯上了四个目标,但这一次,他的直觉失灵了,这个恶贯满盈的杀人魔王终于遇到了他生命中最后的克星。在《恐怖星球》里,小镇被嗜血的丧失包围,一种奇怪的病毒迅速传染开来。切瑞(罗丝·麦高恩 Rose McGowan 饰)是一个脱衣舞女郎,她遭到丧失的袭击失去了右腿。男友在她的残肢上装上了一挺机关枪,为了生存,也为了保护所爱的人,切瑞必须成为英雄。
回复 :因一场意外而昏迷住院的阿谈(郑财饰),在经过6个月治疗后返回家里,却发现他最亲爱的堂妹小蓝(明希饰)不见踪影。在阿谈追问之下,爸妈才透露说:“小蓝未婚怀孕,被玷污的她让整个家族蒙羞,阿公大发脾气把小蓝赶出门,更因此中风!”但大家的反应诡异,事件又充满疑点,让阿谈不禁怀疑…。从这天起,那首怪异的童谣与恐怖的稻草人景象,便每晚在他脑海中缠绕,阿谈仿佛又常看到堂妹的身影出现在家里。于是他决定瞒着家人寻找她的下落,当却发现惊人的秘密隐藏在家庭中……
回复 :The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.


