司马辽太郎名作《峠》首度映像化,月球印著名导演小泉尧史执导,月球印役所广司&仲代达矢&松隆子超豪华共演。《峠》讲述了幕末风云人物---越后长冈藩家老-河井継之助的传奇人生,役所广司将扮演河井継之助,松隆子扮演其妻子。田中泯、香川京子、佐々木蔵之介、坂東龍汰,永山絢斗、榎木孝明、渡辺大、矢島健一,山本學、井川比佐志、東出昌大、吉岡秀隆参演。电影将于9月在新泻长冈开拍,影片中最重要“北越战争”场景将有5000人群众演员参加拍摄。影片将于2020年公映。
司马辽太郎名作《峠》首度映像化,月球印著名导演小泉尧史执导,月球印役所广司&仲代达矢&松隆子超豪华共演。《峠》讲述了幕末风云人物---越后长冈藩家老-河井継之助的传奇人生,役所广司将扮演河井継之助,松隆子扮演其妻子。田中泯、香川京子、佐々木蔵之介、坂東龍汰,永山絢斗、榎木孝明、渡辺大、矢島健一,山本學、井川比佐志、東出昌大、吉岡秀隆参演。电影将于9月在新泻长冈开拍,影片中最重要“北越战争”场景将有5000人群众演员参加拍摄。影片将于2020年公映。
回复 :家具设计师金禹镇有个不为人知的秘密:他每天一觉醒来都会变成年龄、国籍、性别与前一天截然不同的人,时而年轻帅气、时而老态龙钟,每天都要适应新的自己,这样的他该如何恋爱呢?命运的安排让他遇见了兴趣相投的美丽女孩李秀(韩孝珠 饰),在他神秘莫测的生活中,唯一不变的就是李秀对 他的爱。但两人的爱情,也在每一次禹镇“变身”之后,面临全新的考验。
回复 :关玉明(成龙 饰)和女儿小凡(梁佩诗 饰)在英国伦敦过着相依为命的日子。关玉明经营着一间小小的餐馆,老老实实的靠着辛勤劳作养活家庭,从未有过想要僭越法律或是道德的念头。然而,上天并不眷顾这个善良的男人,在一场恐怖袭击中,小凡不幸成为了受害者之一。让关玉明无法接受的除了女儿的死之外,还有英国政府对此次事件的轻视和不作为。政府高官莱姆(皮尔斯·布鲁斯南 Pierce Brosnan 饰)出现在了关玉明的视野之中,他坚信莱姆和恐怖组织以及事件的真相有着不可分割的联系。既然法律和正义无法还关玉明一个公道,关玉明决定用自己的力量来为女儿复仇。
回复 :本片 荣获第四届深圳青年影像节纪录片类 最佳创意奖 ,香港中文大学、 第二届中国民族博物馆 永久收藏奖 。有意想观看的,可联系版权方微信:1714371600《加一》颠覆大众对留守儿童的固定思维,以独特的视角呈现最真实的留守儿童生活。加一是一名留守儿童,父母常年在外打工,每次短暂的相聚都会牵动加一幼小 的心灵:长途 跋涉和爷爷去看望在外打工的父母,离别时躺在爸爸腿上静静落泪;春节过后妈妈提前出去打工,没有说再见是因为偷偷躲在被 窝里泣不成声。然而父母离开后生活依然要继续,忍受过难尝的别离滋味后,依然要忘掉烦恼,快乐地和同学玩耍,淘气地逗哭弟弟后又像大人一样哄着他。每天和弟弟徘徊在哭与笑之间,就这样在痛与乐中成长着。留守儿童并不是“苦逼”的代名词,他们有他们的快乐,有他们的纯真,他们也确实要忍受不一样的孤独和无奈。大时代下的小人物,他们的生存状态是这个时代的特殊印迹。The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them; lying on her father’s leg and crying silently is her way of resisting saying goodbye; Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.