日本In 1830, forty years to the day since the last manifestation of their dreaded vampirism, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircalla - or as she was in 1710, Carmilla.@www.molikan.com
日本In 1830, forty years to the day since the last manifestation of their dreaded vampirism, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircalla - or as she was in 1710, Carmilla.@www.molikan.com
回复 :终于受不了丈夫的暴力相向,妻子抱着受伤的六岁女儿,满脸鲜血、鼻青脸肿地跑入警局求援。她要的不多,只求一纸判决伸张正义,可是比起家暴的皮肉疼痛,冗长官僚的菲律宾诉讼体系,更如心灵凌迟,令人绝望难忍。司法非关真相、非关正义,只关乎哪一方更能在法官面前舌粲善辩、搬弄法条。然而无论加害方或受害方,都将在这场为求胜诉、投注大量时间与金钱的困兽缠斗中,付出沉重代价⋯⋯。菲律宾新锐编导雷蒙里贝古特列兹,师承电影大师曼多萨,将获奖短片延伸成首部长片作品。家暴事实历历在目,正义却渐行渐远,十足张力让人看得义愤填膺又莫可奈何。手持摄影与表演完美搭配,观众有如贴着角色呼吸,在拥挤闷热难熬的现实泥泞里,共感奋力一搏的挣扎喘息。
回复 :南方小镇,四个平凡的青年相依为命,潦草度日,却意外被卷入了一桩杀人案。他们在一夜狂欢后醉酒醒来,身边竟有一具尸体。在因果未明的情况下,四人为了逃避惩罚匆忙掩埋尸体,而后开始了不顾一切的逃亡。一行人穿越南北,阴差阳错地经历着人心的善恶。随着时间的推移,每个人都生出了不同的心思,四人间的矛盾也逐渐凸显,饱经风霜的他们最终能否得到安宁的归宿?微弱的羁绊是否还能维系着亲情和友情?到底谁才是凶手,害得他们走上这无望的亡命之路?
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