四十年代，枪王青年丘子洪欲乾一番事业，枪王故往上海发展，到上海认识到君、川两人，后往同乡勇兄妹处，以作打算。斧头帮之金九笔为歌星莉与杜老大冲突，金河帮姜老大亦介入，最后杜终被杀。警察局长康介绍洪到姜之赌场，洪因表现佳，后智退金而更被重用。因川被杀，康助洪杀金，却因此而使姜、洪关系恶化，却更欲杀勇、洪等人，却反被勇所杀，姜手下元武誓杀洪、勇。此等仇杀背后原来藏着康欲雄霸上海之阴谋，最后勇及其余党皆被杀，唯洪逃脱，洪亦知悉康之一切，故誓杀康，替勇报仇。经过一次次血雨腥风的洗礼后，他意识到，要在这个勾斗角、弱肉强食的社会中雄霸天下并非易事，但此时退出已经太晚了……
回复 :俞天龙是某镇武馆的大弟子，因主持正义教训恶少而与当地恶势力结怨，武馆遭到恶势力请来的一众东洋高手的洗劫，俞天龙幸免于难，但是断了一臂成为残废，他苦练独臂拳法，将各东洋高手一一击毙。
回复 :哥伦比亚新浪潮导演Carlos Mayolo的长片处女作，一部哥特风格的幻想片，获葡萄牙幻想电影节最佳女主角和最佳影片提名。是导演向Roman Polanski的《Rosemary's Baby》致敬的作品。"Flesh of your flesh" is a political allegory trhough a love story, framed into the magical colombian universe. In 1955, in the middle of a military dictatorship, a teenage girl seduces her brother and due to their incestous relationship the lovers are possessed by the ghosts of their ancestors. The two youngsters become vampirical and criminal creatures like those created by the colombian "violencia", mingling with the mythological beings of the countryside like "drafts" and other ghost sowing fear into the heart of men.Directed by Carlos Mayolo. Centers on a wealthy family fighting over the last testament of a just-deceased matriarch. From there, the family members are shown to have an incestuous relationship, and eventually vampires come into the picture, as well as unbridled slaughter.Tropical Gothic Baroque. An extremely interesting film about La Violencia in Colombia which captures the strange social and political heterogeneity of this dark set of events. Mayolo developed his own aesthetic - partly in collaboration with filmmaker Luis Ospina and the late Andrés Caicedo - 'el gótico tropical' in order to convey this strangeness. The film combines local Colombian myths - caspi, la madremonte, el hojarasquin del monte - with themes of vampirism and incest to convey the place of La Violencia within a repetitive and cyclical history characterised by interpartisan conflicts that benefit the empowerment of the Colombian aristocracy.
回复 :改编自卡夫卡未完成的长篇小说《美国》，但其关注的并非真实的美国，更像是没有详细年代的关于美国的寓言。卡尔•罗斯曼由于丑闻而接受其舅舅的邀请搬去美国，然而他无法摆脱欧洲大陆旧式习惯，更糟的是，欧洲的阶级结构无法让他通过自己的双手谋生。这一电影版关注资本主义社会创造的残酷而变幻莫测的阶级关系。同时忠于原著而未添加影片的结局。施特劳布夫妇风格的一贯操作与卡夫卡氛围的完美结合：中景固定机位，面无表情的演员，人物肢体和语言刻意僵硬，强调侧面特写，镜头推进及平移刻意突兀。由此我们可以寻求到改编卡夫卡作品的带实验性的可能。
