三個月前,真人因為車禍而失去記憶的男子阿草,真人某日醒來後發現,他車禍後這三個月以來,唯一認識且深愛的女友真真失蹤了…當阿草踏上尋找女友的旅程,並與新認識的陌生朋友-記者尼克,一起展開調查真真的身世之後,阿草發現,原來他先前所認知的一切,都不是他所想像的那樣。而這都跟他之前出車禍的原因有關…導演採用非線性敘事的手法,透過幾個不同的章節,帶著觀眾一步步拼湊出,藏在阿草影子背後的真相拼圖…
三個月前,真人因為車禍而失去記憶的男子阿草,真人某日醒來後發現,他車禍後這三個月以來,唯一認識且深愛的女友真真失蹤了…當阿草踏上尋找女友的旅程,並與新認識的陌生朋友-記者尼克,一起展開調查真真的身世之後,阿草發現,原來他先前所認知的一切,都不是他所想像的那樣。而這都跟他之前出車禍的原因有關…導演採用非線性敘事的手法,透過幾個不同的章節,帶著觀眾一步步拼湊出,藏在阿草影子背後的真相拼圖…
回复 :本片讲述的是蝙蝠侠(罗杰·克雷格·史密斯 配音)以及罗宾联合正义联盟成员闪电侠以及绿箭侠一起对抗被称为Animilitia的犯罪组织。该犯罪组织都是由一些动物性的成员组成,包括银背大猩猩、猎豹女、杀手鳄鱼等,他们在高谭市作恶多端,一般警察对他们束手无策。而且该组织背后的主谋却指向蝙蝠侠的宿敌,同时也是高谭市叱吒风云的黑道大亨企鹅人(Dana Snyder 配音)。除了Animilitia组织,蝙蝠侠他们这次还要面对奥斯瓦德公司的商人新发明的邪恶网络动物机器人,一群犯罪恶势力再次聚集在高谭市。
回复 :有一种女人,也许并非天生丽质,但却能因为创造美丽而风韵永存、百世流芳;有一种女人,不相信整容和表面眉眼的漂亮,却因人格独立、自信一生,而精彩九旬;有一种女人,不沉迷于名牌与昂贵,却能因慧眼独具而点石成金,让自己的名字成为最响亮的品牌;有一种女人,一生无后,但有爱侣终生相伴,互相欣赏生命紧扣;有一个女人,从白宫到富商巨贾,从艺术圣殿到百姓家屋,她都曾用自己独特的品味,让所装饰之处绚烂无双。本片讲的是一生打扮美国、装点自己,年过九旬依旧走在时尚的顶尖,用生命实践与创造美丽传奇的一代时尚造型设计师、收藏家——艾瑞斯·阿普菲尔的故事。
回复 :The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.