剧情简介
Wendy(Karina Fontes饰)是个公园暑期工，逐风努力想要证明自己有能力胜任这份工作。然而她不幸在山中迷路，逐风发现了一个尸体并且被困在了案发现场。在通过无线电对讲机联络了管理方之后，作为公园职员，她必须保护好案发现场，和尸体共度一晚，她不得不面对黑暗和恐惧...
陪你逐风飞翔
Wendy(Karina Fontes饰)是个公园暑期工，逐风努力想要证明自己有能力胜任这份工作。然而她不幸在山中迷路，逐风发现了一个尸体并且被困在了案发现场。在通过无线电对讲机联络了管理方之后，作为公园职员，她必须保护好案发现场，和尸体共度一晚，她不得不面对黑暗和恐惧...
杨秀惠
回复 :故事发生在80年代的一个旅馆里。一群程序员试图发明出终极电脑象棋程序，用以进行人机大战.安德鲁·布西内斯克在2009曾有一部才华横溢的《蜂蜡》，并入选《纽约客》年度十佳片，《电脑棋局》为沉寂几年之后带来的新片。这是一个黑白风格的伪纪录片，手持摄影以及伪记录风都将是本片看点，这个有点极客的故事相信也会很受影迷喜爱
王喜
回复 :巴西，这个充满激情和浪漫的国家，是无数寻求刺激的青年男女心所向往的人间天堂。巴西东北部地区，一辆载满外国游客的大巴正在蜿蜒曲折的公路上飞驰前行，鲁莽的司机导致车祸发生，游客们被迫困在半山腰。来自美国的亚历克斯（乔什·杜哈明 Josh Duhamel 饰）和妹妹比依（奥莉维娅·维尔德 Olivia Wilde 饰）、好友艾美（Beau Garrett 饰）由此邂逅了来此寻欢作乐的英国人芬（德斯蒙德·奥斯基 Desmond Askew 饰）、莱姆（Max Brown 饰）以及通晓葡语的澳洲美女普璐（梅利莎·乔治 Melissa George 饰）。一行六人不愿在原地浪费时间，于是决定到附近的海滩尽享美好时光。一夜狂欢，当他们醒来之时，却发现身上的财物尽失，更不知道现在自己身在何处。然而危险仍在向他们逼近，美好的天堂瞬间化作地狱……
广智
回复 :本片 荣获第四届深圳青年影像节纪录片类 最佳创意奖 ，香港中文大学、 第二届中国民族博物馆 永久收藏奖 。有意想观看的，可联系版权方微信：1714371600《加一》颠覆大众对留守儿童的固定思维，以独特的视角呈现最真实的留守儿童生活。加一是一名留守儿童，父母常年在外打工，每次短暂的相聚都会牵动加一幼小 的心灵：长途 跋涉和爷爷去看望在外打工的父母，离别时躺在爸爸腿上静静落泪；春节过后妈妈提前出去打工，没有说再见是因为偷偷躲在被 窝里泣不成声。然而父母离开后生活依然要继续，忍受过难尝的别离滋味后，依然要忘掉烦恼，快乐地和同学玩耍，淘气地逗哭弟弟后又像大人一样哄着他。每天和弟弟徘徊在哭与笑之间，就这样在痛与乐中成长着。留守儿童并不是“苦逼”的代名词，他们有他们的快乐，有他们的纯真，他们也确实要忍受不一样的孤独和无奈。大时代下的小人物，他们的生存状态是这个时代的特殊印迹。The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them; lying on her father’s leg and crying silently is her way of resisting saying goodbye; Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.
