来自偏远山村的吴协（外号“无鞋”）与奶奶相依为命，素人视频他篮球梦的开始源自于奶奶捡破烂时带来的那个破旧篮球。紫凤在直播视频中无意拍到了穿拖鞋灌篮的“无鞋”而爆红网络，素人视频她发现财路，想将“无鞋”打造成街头篮球巨星，在半职业球员“花豹”的特训下，“无鞋”的球技突飞猛进，单挑各大街球高手更加让他名声大振！然而渐入巅峰的“无鞋”却在与街球帝肖峰的对决中离奇受伤、唯一的亲人奶奶病故，还查出来他患有PSTD创伤性应激综合征！最终，在紫凤、花豹以及发小唐昊的帮助下，“无鞋”克服了心理障碍，重拾信心疯狂训练，后来和花豹、唐昊组成了横扫各大街球劲旅的“无花糖”组合，获得了“魔鲨杯”街球赛冠军！
回复 :《上帝之国》小哥亚力克·塞克雷亚努（Alec Secareanu）2015年主演的短片。小哥饰演了一名叫George的男友，女友因“油”生惑。在女友细致的盘问下，小哥最终暴露了渣男本面目。
刘雅咏
回复 :巴黎“水堡”站附近的街区有好几家理发店，故事围绕着其中两家美发沙龙展开。主人公查尔斯生活拮据，却总喜欢说自己是王子一样的查尔斯，总是衣着光鲜地出现在人们面前。他跟对手贝贝各自带领一班人马为不同的美发店拉拢客人。最近，在美发沙龙里工作的女孩索尼娅正秘密策划着什么。老头穆拉特是一位坚持传统手艺的诗人理发店老板，他的理发店因为他不愿意降低价格而生意惨淡。查尔斯想盘下穆拉特的店，于是卖掉了所有家当拉拢自己工作的沙龙店的老板一起合作。但他的老板却想去法国郊区开店，计划最终落空。索尼娅和店里一位编发师合作，准备实行她的秘密计划：把会发光的材料编在头发里，她还找了乐队给她做广告。游手好闲的穆萨经历了几次生意失败后，被查尔斯派去跟踪索尼娅。他发现了索尼娅的秘密与一辆货车有关。与此同时，贝贝也从索尼娅的合作伙伴那里发现了新材料秘密。于是，发现秘密的两人偷了货车，不料货车里没有索尼娅购买的新材料。贝贝出手打伤了穆萨。随后穆萨去找查尔斯坦白一切。索尼娅找到贝贝当众揭穿他是小偷，并狠狠教训了他一顿。最终，诗人理发师离世，他把他的诗遗赠给了查尔斯。查尔斯振作精神，穿上新衣服，又回到了水堡站附近的大街上招揽顾客。生活还在忙碌地继续着。
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
